Film 1900 : technology, perception, culture / edited by Annemone Ligensa and Klaus Kreimeier.

Contributor(s):

Material type: Text

TextPublication details: New Burnet, England : John Libbey, (c)2009.; Bloomington, IN : Distributed in North America by Indiana University PressDescription: 1 online resource (vi, 250 pages) : illustrations, mapsContent type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780861969166

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

PN1993 .F556 2009

Online resources:

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Contents:

Annemone Ligensa -- Archaeologies of interactivity: early cinema, narrative and spectatorship / Thomas Elsaesser -- Viewing change, changing views: the 'history of vision'-debate / Frank Kessler -- The ambimodernity of early cinema: problems and paradoxes in the film-and-modernity discourse / Ben Singer -- Mind the gap: the discovery of physiological time / Henning Schmidgen -- 'Is everything relative?' : cinema and the revolution of knowledge around 1900 / Harro Segeberg -- The aesthetic idealist as efficiency engineer: Hugo Münsterberg's theories of perception, psychotechnics and cinema / Jörg Schweinitz -- Between observation and spectatorship: medicine, movies and mass culture in imperial Germany / Scott Curtis -- The scene of the crime: psychiatric discourses on the film audience in early twentieth century German / Andreas Killen -- Seen through the eyes of Simmel: the cinema programme as a 'modern' experience / Andrea Haller -- 'Under the sign of the cinematograph': urban mobility and cinema location in Wilhelmine Berlin / Pelle Snickars -- Perceptual environments for films: the development of cinema in Germany, 1895-1914 / Joseph Garncarz -- 'Fumbling towards some new form of art?': the changing composition of film programmes in Britain, 1908-1914 / Ian Christie and John Sedgwick -- The attraction of motion: modern representation and the image of movement / Tom Gunning -- 'Dashing down upon the audience': notes on the genesis of filmic perception / Klaus Kreimeier -- German Tonbilder of the 1900s: advanced technology and national brand / Martin Loiperdinger -- Sculpting with light: early film style, stereoscopic vision and the idea of a 'plastic art in motion' / Michael Wedel -- 'A cinematograph of feminine thought': The dangerous age, cinema and modern women / Annemone Ligensa -- Cinema as a mode(l) of perception: Dorothy Richardson's novels and essays / Nicola Glaubitz.

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	PN1993.5.1 (Browse shelf(Opens below))	Link to resource	Available		ocn946887740

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"This collection is based on the conference 'New Paradigms of Perception: Changes in Media and Culture around 1900' held at the University of Siegen, Germany, in November 2006"--Page 248..

Includes bibliographical references.

Introduction: Triangulating a turn: film 1900 as technology, perception and culture / Annemone Ligensa -- Archaeologies of interactivity: early cinema, narrative and spectatorship / Thomas Elsaesser -- Viewing change, changing views: the 'history of vision'-debate / Frank Kessler -- The ambimodernity of early cinema: problems and paradoxes in the film-and-modernity discourse / Ben Singer -- Mind the gap: the discovery of physiological time / Henning Schmidgen -- 'Is everything relative?' : cinema and the revolution of knowledge around 1900 / Harro Segeberg -- The aesthetic idealist as efficiency engineer: Hugo Münsterberg's theories of perception, psychotechnics and cinema / Jörg Schweinitz -- Between observation and spectatorship: medicine, movies and mass culture in imperial Germany / Scott Curtis -- The scene of the crime: psychiatric discourses on the film audience in early twentieth century German / Andreas Killen -- Seen through the eyes of Simmel: the cinema programme as a 'modern' experience / Andrea Haller -- 'Under the sign of the cinematograph': urban mobility and cinema location in Wilhelmine Berlin / Pelle Snickars -- Perceptual environments for films: the development of cinema in Germany, 1895-1914 / Joseph Garncarz -- 'Fumbling towards some new form of art?': the changing composition of film programmes in Britain, 1908-1914 / Ian Christie and John Sedgwick -- The attraction of motion: modern representation and the image of movement / Tom Gunning -- 'Dashing down upon the audience': notes on the genesis of filmic perception / Klaus Kreimeier -- German Tonbilder of the 1900s: advanced technology and national brand / Martin Loiperdinger -- Sculpting with light: early film style, stereoscopic vision and the idea of a 'plastic art in motion' / Michael Wedel -- 'A cinematograph of feminine thought': The dangerous age, cinema and modern women / Annemone Ligensa -- Cinema as a mode(l) of perception: Dorothy Richardson's novels and essays / Nicola Glaubitz.

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