Soft is fast : Simone Forti in the 1960s and after / Meredith Morse.
Material type:
TextPublication details: Cambridge, MA : MIT Press, (c)2015.Description: 1 online resourceContent type: - text
- computer
- online resource
- 9780262334662
- GV1785 .S648 2015
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
| Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
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Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)
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G. Allen Fleece Library ONLINE | Non-fiction | GV1785.665 (Browse shelf(Opens below)) | Link to resource | Available | ocn939519723 |
Includes bibliographies and index.
Acknowledgments; Introduction; Part 1 The 1960S; 1 The Natural and the Neutral: Simone Forti, Ann Halprin, and Margaret H'Doubler; 2 Simone Forti in New York: John Cage and Robert Whitman; 3 Scale: Simone Forti's Text Works in An Anthology of Chance Operations; 4 The Dance Constructions, La Monte Young's Performance, and Slow Time; 5 The Problem of the Personal; Part 2 The 1960s and After; 6 Huddle: Inhabitation and Sociality; 7 Disoriented Perception: Simone Forti in the 1970s and Process Art; 8 News Animations and Improvisations: Movement-Feeling-Form.
Epilogue: Performing Then as NowNotes; Index.
An innovative analysis of Simone Forti's interdisciplinary art, viewing her influential 1960s ""dance constructions"" as negotiating the aesthetic strategies of John Cage and Anna Halprin.
COPYRIGHT NOT covered - Click this link to request copyright permission:
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