In appropriate distance : the ethics of the photographic essay / Kelly Klingensmith.

By:

Klingensmith, Kelly, 1971- [Author]

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780826356956

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

TR187 .I537 2016

Online resources:

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Available additional physical forms:

Subject: "What is the evolving relationship between words and images in the photographic essay? How do the purpose and form of the photographic essay change over time? And how are relationships between the contributors, subject, and readers communicated explicitly and implicitly in both content and form? Klingensmith explores these questions in In Appropriate Distance as she traces the development of the photographic essay from the 1890s to the 1990s and beyond. By examining classic examples such as How the Other Half Lives, American Exodus, and Let Us Now Praise Famous Men, as well as more contemporary projects including work by John Berger, Jean Mohr, Wendy Ewald, and Zana Briski, Klingensmith examines the codependence of words and images and the long-standing collaboration required of creator and subject in this exploration of the ethics of representation"--

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	TR187 (Browse shelf(Opens below))	Link to resource	Available		ocn946998303

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Previous	TR183 Old Fields Photography, Glamour, and Fantasy Landscape /	TR184 Photography as power : dominance and resistance through the italian lens /	TR184 Ground Sea : Photography and the Right to Be Reborn.	TR187 In appropriate distance : the ethics of the photographic essay /	TR187 Engendering an avant-garde : the unsettled landscapes of Vancouver photo-conceptualism /	TR267 The essential photography workbook : the beginner's guide to creating impressive digital photos /	TR365 The early American daguerreotype : cross-currents in art and technology /	Next

"What is the evolving relationship between words and images in the photographic essay? How do the purpose and form of the photographic essay change over time? And how are relationships between the contributors, subject, and readers communicated explicitly and implicitly in both content and form? Klingensmith explores these questions in In Appropriate Distance as she traces the development of the photographic essay from the 1890s to the 1990s and beyond. By examining classic examples such as How the Other Half Lives, American Exodus, and Let Us Now Praise Famous Men, as well as more contemporary projects including work by John Berger, Jean Mohr, Wendy Ewald, and Zana Briski, Klingensmith examines the codependence of words and images and the long-standing collaboration required of creator and subject in this exploration of the ethics of representation"--

Includes bibliographies and index.

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