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Feeling mediated : a history of media technology and emotion in America / Brenton J. Malin.

By: Material type: TextTextSeries: Publication details: New York ; London : New York University Press, (c)2014.Description: 1 online resource (viii, 309 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780814770153
Subject(s): Genre/Form: LOC classification:
  • P96 .F445 2014
Online resources: Available additional physical forms:
Contents:
Conflicting feelings: technology and emotions from colonial America to the new age of communication -- Touching images: stereoscopy, technocracy, and popular photographic physicalism -- Electrifying voices: recording, radio, and the new friendly but formal speech -- Projecting emotions: motion pictures, social science, and emotional self-control -- Connecting centuries: the legacies of media physicalism -- Conclusion.
Subject: "New technologies, whether text message or telegraph, inevitably raise questions about emotion. New forms of communication bring with them both fear and hope, on one hand allowing us deeper emotional connections and the ability to forge global communities, while on the other prompting anxieties about isolation and over-stimulation. Feeling Mediated investigates the larger context of such concerns, considering both how media technologies intersect with our emotional lives and how our ideas about these intersections influence how we think about and experience emotion and technology themselves. Drawing on extensive archival research, Brenton J. Malin explores the historical roots of much of our recent understanding of mediated feelings, showing how earlier ideas about the telegraph, phonograph, radio, motion pictures, and other once-new technologies continue to inform our contemporary thinking. With insightful analysis, Feeling Mediated explores a series of fascinating arguments about technology and emotion that became especially heated during the early 20th century. These debates, which carried forward and transformed earlier discussions of technology and emotion, culminated in a set of ideas that became institutionalized in the structures of American media production, advertising, social research, and policy, leaving a lasting impact on our everyday lives." --
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Holdings
Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction P96.422 (Browse shelf(Opens below)) Link to resource Available ocn913743467

Includes bibliographies and index.

Introduction -- Conflicting feelings: technology and emotions from colonial America to the new age of communication -- Touching images: stereoscopy, technocracy, and popular photographic physicalism -- Electrifying voices: recording, radio, and the new friendly but formal speech -- Projecting emotions: motion pictures, social science, and emotional self-control -- Connecting centuries: the legacies of media physicalism -- Conclusion.

"New technologies, whether text message or telegraph, inevitably raise questions about emotion. New forms of communication bring with them both fear and hope, on one hand allowing us deeper emotional connections and the ability to forge global communities, while on the other prompting anxieties about isolation and over-stimulation. Feeling Mediated investigates the larger context of such concerns, considering both how media technologies intersect with our emotional lives and how our ideas about these intersections influence how we think about and experience emotion and technology themselves. Drawing on extensive archival research, Brenton J. Malin explores the historical roots of much of our recent understanding of mediated feelings, showing how earlier ideas about the telegraph, phonograph, radio, motion pictures, and other once-new technologies continue to inform our contemporary thinking. With insightful analysis, Feeling Mediated explores a series of fascinating arguments about technology and emotion that became especially heated during the early 20th century. These debates, which carried forward and transformed earlier discussions of technology and emotion, culminated in a set of ideas that became institutionalized in the structures of American media production, advertising, social research, and policy, leaving a lasting impact on our everyday lives." --

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