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Lyric generations : poetry and the novel in the long eighteenth century / G. Gabrielle Starr.

By: Material type: TextTextPublication details: Baltimore : Johns Hopkins University Press, (c)2004.Description: 1 online resource (x, 298 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781421419114
Subject(s): Genre/Form: LOC classification:
  • PR851 .L975 2004
Online resources: Available additional physical forms:
Contents:
Modes of absorption : lyric and letter in Behn, Haywood, and Pope -- Lyric tensions : sympathy, displacement, and self into the midcentury -- Rhetorical realisms : chiasmus, convention, and lyric -- The limits of lyric and the space of the novel -- The novel and the new lyricism.
Review: "In Lyric Generations, G. Gabrielle Starr rejects the usual genealogy of lyric poetry in which Romantic poets are thought to have built solely and directly upon the works of Chaucer, Spenser, Shakespeare, and Milton. She argues instead the novelists such as Richardson, Haywood, Behn, and others, while drawing upon earlier lyric conventions, ushered in a new language of self-expression and community which profoundly affected the aesthetic goals of lyric poets. Examining the works of Cowper, Smith, Wordsworth, Coleridge, and Keats in light of their competitive dialogue with the novel, Starr advances a literary history that considers formal characteristics as products of historical change. In a world increasingly defined by prose, poets adapted the new forms, characters, and moral themes of the novel in order to reinvigorate poetic practice."--Jacket.
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Includes bibliographies and index.

Clarissa and the lyric -- Modes of absorption : lyric and letter in Behn, Haywood, and Pope -- Lyric tensions : sympathy, displacement, and self into the midcentury -- Rhetorical realisms : chiasmus, convention, and lyric -- The limits of lyric and the space of the novel -- The novel and the new lyricism.

"In Lyric Generations, G. Gabrielle Starr rejects the usual genealogy of lyric poetry in which Romantic poets are thought to have built solely and directly upon the works of Chaucer, Spenser, Shakespeare, and Milton. She argues instead the novelists such as Richardson, Haywood, Behn, and others, while drawing upon earlier lyric conventions, ushered in a new language of self-expression and community which profoundly affected the aesthetic goals of lyric poets. Examining the works of Cowper, Smith, Wordsworth, Coleridge, and Keats in light of their competitive dialogue with the novel, Starr advances a literary history that considers formal characteristics as products of historical change. In a world increasingly defined by prose, poets adapted the new forms, characters, and moral themes of the novel in order to reinvigorate poetic practice."--Jacket.

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