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Trickster theatre : the poetics of freedom in urban Africa / Jesse Weaver Shipley.

By: Material type: TextTextSeries: Publication details: Bloomington : Indiana University Press, (c)2015.Description: 1 online resource : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780253016591
Subject(s): Genre/Form: LOC classification:
  • PN2990 .T753 2015
Online resources: Available additional physical forms:
Contents:
Introduction: poetics of duality and uncertainty -- History and mediations in making theatre -- Making culture : race, history, and a theory of performance in the Gold Coast colony -- The national theatre movement : urban art infrastructures and a contested national culture in independence-era Accra -- Revolutionary storytelling : Pan-African theatre and remaking lost futures in 1980s Ghana -- A man of the people : Mohammed Ben Abdallah as artist-politician -- Stagings in millennial Ghana -- Total African theatre : language, reflexivity, and ambiguity in The witch of Mopti -- "The best tradition goes on" : audience, consumption, and the structural transformation of Concert Party popular theatre -- Fake pastors and real comedians : doubling and parody in miraculous, charismatic performance -- Copying independence : backstage at the fiftieth-anniversary re-enactment of Nkrumah's independence speech -- Epilogue: unfreedom as critical theory.
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Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction PN2990.4 (Browse shelf(Opens below)) Link to resource Available ocn911054739

Introduction: poetics of duality and uncertainty -- History and mediations in making theatre -- Making culture : race, history, and a theory of performance in the Gold Coast colony -- The national theatre movement : urban art infrastructures and a contested national culture in independence-era Accra -- Revolutionary storytelling : Pan-African theatre and remaking lost futures in 1980s Ghana -- A man of the people : Mohammed Ben Abdallah as artist-politician -- Stagings in millennial Ghana -- Total African theatre : language, reflexivity, and ambiguity in The witch of Mopti -- "The best tradition goes on" : audience, consumption, and the structural transformation of Concert Party popular theatre -- Fake pastors and real comedians : doubling and parody in miraculous, charismatic performance -- Copying independence : backstage at the fiftieth-anniversary re-enactment of Nkrumah's independence speech -- Epilogue: unfreedom as critical theory.

Includes bibliographies and index.

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