Photography and the art of chance /Robin Kelsey.
Material type: TextPublication details: Cambridge, Massachusetts : The Belknap Press of Harvard University Press, (c)2015.Description: 1 online resourceContent type:- text
- computer
- online resource
- 9780674426177
- TR642 .P468 2015
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
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Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | Non-fiction | TR642 (Browse shelf(Opens below)) | Link to resource | Available | ocn908146081 |
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Includes bibliographies and index.
William Henry Fox Talbot and his picture machine -- Defining art against the mechanical, c. 1860 -- Julia Margaret Cameron transfigures the glitch -- The fog of beauty, c. 1890 -- Alfred Stieglitz moves with the city -- Stalking chance and making news, c. 1930 -- Frederick Sommer decomposes our nature -- Pressing photography into a modernist mold, c. 1970 -- John Baldessari plays the only game in town.
As anyone who has wielded a camera knows, photography has a unique relationship to chance. It also represents a struggle to reconcile aesthetic aspiration with a mechanical process. Robin Kelsey reveals how daring innovators expanded the aesthetic limits of photography in order to create art for a modern world.
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