Cybernethisms : Aldo Giorgini's computer art legacy / Esteban García Bravo.
Material type: TextPublication details: West Lafayette, Indiana : Purdue University Press, (c)2015.Description: 1 online resource (120 pages) : illustrationsContent type:- text
- computer
- online resource
- N6537 .C934 2015
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
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Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | Non-fiction | N6537.465 (Browse shelf(Opens below)) | Link to resource | Available | ocn909893600 |
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Includes bibliographies and index.
Cover; Copyright; Dedication; Contents; Acknowledgments; Introduction; I.A Biography of Aldo Giorgini; The Beginnings; Fields: A Numerical Visual Laboratory; Aesthetics in Technology; Stretched Surfaces; Quasi-Photographic; Later Years; II. Computer Art in Context; III. Future of the Collection; IV. Selected Texts by Aldo Giorgini; Fields (1975); Experiments in Computer Visualization (1975); Black Boxes and Art: Chisels and Computers (1975); Palette (1980); Stretch (1981); Pueblo (1982); V.A Biographical Sketch of Aldo Giorgini; Aldo Giorgini Biographical Sketch; References; Index.
Working extensively as both artist and scientist, Aldo Giorgini (1934-1994) was one of the first computer artists to combine software writing with early printing technologies. His innovative process involved producing pen-plotted drawings that were embellished by painting, drawing, photography, and screen printing. This biography is the first to uncover the remarkable work and life of an underappreciated artist, providing insights into the innovative methods and computerized techniques he used to weave creations that seamlessly combined technological sophistication with artistic sensibility. Bu.
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