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Picture Man : the legacy of southeast Alaska photographer Shoki Kayamori / by Margaret Thomas.

By: Material type: TextTextPublication details: Fairbanks : University of Alaska Press, (c)2015.Description: 1 online resource (xiv, 134 pages) : illustrations, portraitsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781602232464
Subject(s): Genre/Form: LOC classification:
  • TR140 .P538 2015
Online resources: Available additional physical forms:
Contents:
West Coast -- The Aokis -- Cannery Life -- Yakutat -- Spies -- The Collection.
Scope and content: "In 1912, Shoki Kayamori and his box camera arrived in a small Tlingit village in southeast Alaska. At a time when Asian immigrants were forbidden to own property and faced intense racial pressure, the Japanese-born Kayamori put down roots and became part of the Yakutat community. For three decades he photographed daily life in the village, turning his lens on locals and migrants alike, and gaining the nickname 'Picture Man.' But as World War II drew near, his passion for photography turned dangerous as government officials called out Kayamori as a potential spy. Despondent, Kayamori committed suicide, leaving behind an enigmatic photographic legacy. In Picture Man, Margaret Thomas views Kayamori's life through multiple lenses. Using Kayamori's original photos, she explores the economic and political realities that sent Kayamori and thousands like him out of Japan toward opportunity and adventure in the United States, especially the Pacific Northwest. She reveals the tensions around Asian immigrants in the West Coast and the racism that sent many young men north to work in the canneries of Alaska. And she illuminates the intersecting--and at times conflicting--lives of villagers and migrants in a time of enormous change. Part history, part biography, part photographic showcase, Picture Man offers a fascinating new view of Alaska history"--
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Includes bibliographies and index.

"In 1912, Shoki Kayamori and his box camera arrived in a small Tlingit village in southeast Alaska. At a time when Asian immigrants were forbidden to own property and faced intense racial pressure, the Japanese-born Kayamori put down roots and became part of the Yakutat community. For three decades he photographed daily life in the village, turning his lens on locals and migrants alike, and gaining the nickname 'Picture Man.' But as World War II drew near, his passion for photography turned dangerous as government officials called out Kayamori as a potential spy. Despondent, Kayamori committed suicide, leaving behind an enigmatic photographic legacy. In Picture Man, Margaret Thomas views Kayamori's life through multiple lenses. Using Kayamori's original photos, she explores the economic and political realities that sent Kayamori and thousands like him out of Japan toward opportunity and adventure in the United States, especially the Pacific Northwest. She reveals the tensions around Asian immigrants in the West Coast and the racism that sent many young men north to work in the canneries of Alaska. And she illuminates the intersecting--and at times conflicting--lives of villagers and migrants in a time of enormous change. Part history, part biography, part photographic showcase, Picture Man offers a fascinating new view of Alaska history"--

Meiji Japan -- West Coast -- The Aokis -- Cannery Life -- Yakutat -- Spies -- The Collection.

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