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Mahler's symphonic sonatas /Seth Monahan.

By: Material type: TextTextSeries: Publication details: New York : Oxford University Press, (c)2015.Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780199303472
  • 9780199395668
Subject(s): Genre/Form: LOC classification:
  • MT130 .M345 2015
Online resources: Available additional physical forms:
Contents:
Summary: 'Mahler's Symphonic Sonatas' examines Gustav Mahler's career-long engagement with sonata form. It argues that a dynamic, process-based sonata-form concept factors into all of his early and middle-period symphonies, informing not just their schematic design, but also their narrative/expressive character.
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Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction MT130.25 (Browse shelf(Opens below)) Link to resource Available ocn903206028

Includes bibliographies and index.

'Mahler's Symphonic Sonatas' examines Gustav Mahler's career-long engagement with sonata form. It argues that a dynamic, process-based sonata-form concept factors into all of his early and middle-period symphonies, informing not just their schematic design, but also their narrative/expressive character.

Cover; Series; Mahlers Symphonic Sonatas; Copyright; Dedication; Contents; Acknowledgments; About the Companion Website; Introduction; Part I Interpreting Mahlers Sonata Forms; 1 Sonata Form in Mahlers Narrative Imagination; 2 Adorn Novel-Symphony: The Dialectic of Freedom and Determinism; 3 Dimensions of Mahlerian Narrativity; Part II Mahlers Classical Sonatas; 4 A Demonic Haydn: Mahlers Confrontation with Tradition in the First Movement of the Sixth.

5 A Play within a Play: Games of Closure and Contingency in the First Movement of the FourthPart III Mahlers Epic Sonatas; 6 The Objectification of Chaos: Epic Form and Narrative Multiplicity in Part One of the Third; 7 Tragedy Refuses a Nominalist Form: Inescapable Coherence and the Failure of the Novel-Symphony in the Finale of the Sixth; References; Index.

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