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The Rey Chow readeredited by Paul Bowman.

By: Contributor(s): Material type: TextTextPublication details: New York : Columbia University Press, (c)2010.Description: 1 online resource (xxiii, 289 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780231520782
Subject(s): Genre/Form: LOC classification:
  • CB430 .R493 2010
Online resources: Available additional physical forms:
Contents:
The postcolonial difference: lessons in cultural legitimation -- From Writing diaspora: introduction: leading questions -- Brushes with the-other-as-face: stereotyping and cross-ethnic representation -- The politics of admittance: female sexual agency, miscegenation, and the formation of community in Frantz Fanon -- When whiteness feminizes : some consequences of a supplementary logic -- Filmic visuality and transcultural politics. Film and cultural identity -- Seeing modern China : toward a theory of ethnic spectatorship -- The dream of a butterfly -- Film as ethnography, or, Translation between cultures in the postcolonial world -- A filmic staging of postwar geotemporal politics: on Akira Kurosawa's No regrets for our youth, sixty years later -- From Sentimental fabulations, contemporary Chinese films: attachment in the age of global visibility -- The political economy of vision in Happy times and Not one less, or, a different type of migration.
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Includes bibliographies and index.

Modernity and postcolonial ethnicity. The age of the world target: atomic bombs, alterity, area studies -- The postcolonial difference: lessons in cultural legitimation -- From Writing diaspora: introduction: leading questions -- Brushes with the-other-as-face: stereotyping and cross-ethnic representation -- The politics of admittance: female sexual agency, miscegenation, and the formation of community in Frantz Fanon -- When whiteness feminizes : some consequences of a supplementary logic -- Filmic visuality and transcultural politics. Film and cultural identity -- Seeing modern China : toward a theory of ethnic spectatorship -- The dream of a butterfly -- Film as ethnography, or, Translation between cultures in the postcolonial world -- A filmic staging of postwar geotemporal politics: on Akira Kurosawa's No regrets for our youth, sixty years later -- From Sentimental fabulations, contemporary Chinese films: attachment in the age of global visibility -- The political economy of vision in Happy times and Not one less, or, a different type of migration.

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