Magic in the web : action & language in Othello / Robert B. Heilman.

By:

Heilman, Robert Bechtold, 1906-2004 [Author]

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780813163048
9781322600475

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

PR2829 .M345 2015

Online resources:

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Available additional physical forms:

Contents:

Subject: In his earlier work on King Lear, Mr. Heilman combined a number of critical procedures to form a new and important approach to Shakespearian criticism. His study of Othello displays the maturity of insight and skill in analysis the years have brought him in developing his critical method. Mr. Heilman takes account of stage effects; he traces out literal and symbolic meanings; he analyzes plot relationships; he examines characters in terms of both their psychological and their moral situations, and style in relation to both character and meaning. He traces some effects due to historical meani.

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	PR2829 (Browse shelf(Opens below))	Link to resource	Available		ocn900344945

Browsing G. Allen Fleece Library shelves, Shelving location: ONLINE, Collection: Non-fiction Close shelf browser (Hides shelf browser)

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Previous	PR2828 Much ado about nothing a comedie : some Cupid kills with arrows, some with traps.	PR2828.2 Much Ado about Nothing	PR2829 Othello in European culture /edited by Elena Bandín, University of León ; Francesca Rayner, Universidade do Minho ; Laura Campillo Arnaiz, Universidad de Murcia.	PR2829 Magic in the web : action & language in Othello /	PR2829 OthelloWilliam Shakespeare.	PR2829.2 The tragedy of othello, the moor of venice /William Shakespeare.	PR2829.2 Othello a tragedie, the robbed that smiles steals something from the thief /	Next

Includes bibliographies and index.

Cover; Title; Copyright; Contents; 1 APPROACH; 1. ASSUMPTIONS; 2. INTERCONNECTIONS; 2 IAGO: BEYOND THE GRIEVANCES; 3 THE IAGO WORLD: STYLES IN DECEPTION; 1. HONEST IAGO; 2. SEEMING AND SEEING: OCULAR PROOF; 3. LIGHT AND DARKNESS; 4. IAGO AS ECONOMIST; 5. DR. IAGO AND HIS POTIONS; 4 THE IAGO WORLD: STYLES IN REVELATION; 1. REDUCTION AND CONQUEST; 2. THE HUNTER, THE INHUMAN DOG, AND THE SLAVE; 3. THE GREATEST DISCORDS; 4. CHAOS: THE WAR AT HOME; 5 OTHELLO: ACTION AND LANGUAGE; 6 THEMATIC FORM: VERSIONS OF LOVE; 1. STYLES OF ACTION; 2. DOCTRINE AND SYMBOL; 7 THEMATIC FORM: WIT AND WITCHCRAFT.

Appendix a. the enchafed floodappendix born the body; notes; index; a; b; c; d; e; f; g; h; i; j; k; l; m; n; o; p; r; s; t; v; w.

In his earlier work on King Lear, Mr. Heilman combined a number of critical procedures to form a new and important approach to Shakespearian criticism. His study of Othello displays the maturity of insight and skill in analysis the years have brought him in developing his critical method. Mr. Heilman takes account of stage effects; he traces out literal and symbolic meanings; he analyzes plot relationships; he examines characters in terms of both their psychological and their moral situations, and style in relation to both character and meaning. He traces some effects due to historical meani.

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