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King Lear and the Gods

By: Material type: TextTextPublication details: Lexington : The University Press of Kentucky, (c)1988.Description: 1 online resource (386 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780813161303
Subject(s): Genre/Form: LOC classification:
  • PR2819 .K564 1988
Online resources: Available additional physical forms:
Contents:
Subject: Many critics hold that Shakespeare's King Lear is primarily a drama of meaningful suffering and redemption within a just universe ruled by providential higher powers. William Elton's King Lear and the Gods challenges the validity of this widespread optimistic view. Testing the prevailing view against the play's acknowledged sources, and analyzing the functions of the double plot, the characters, and the play's implicit ironies, Elton concludes that this standard interpretation constitutes a serious misreading of the tragedy.
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Holdings
Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction PR2819 .4 2015 (Browse shelf(Opens below)) Link to resource Available ocn900344929

Includes bibliographies and index.

Cover; Title; Copyright; Contents; Acknowledgments; Note on the Text; Part I; I. The Problem; II. Renaissance Concepts of Providence; III. Sidney's Arcadia: Four Attitudes to Providence; IV. From Leir to Lear; Part II; V. Prisca Theologia: Cordelia and Edgar; VI. Pagan Atheism: Goneril and Regan, Edmund; VII. Pagan Superstition: Gloucester; VIII. Deus Absconditus: Lear; Part III; IX. Double Plot; X. Minor Characters: Kent, Cornwall, Albany, the Fool; XI. Irony as Structure; XII. Conclusion; King Lear Studies: 1967-1987; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V.

Wx; y; z.

Many critics hold that Shakespeare's King Lear is primarily a drama of meaningful suffering and redemption within a just universe ruled by providential higher powers. William Elton's King Lear and the Gods challenges the validity of this widespread optimistic view. Testing the prevailing view against the play's acknowledged sources, and analyzing the functions of the double plot, the characters, and the play's implicit ironies, Elton concludes that this standard interpretation constitutes a serious misreading of the tragedy.

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