King Lear and the Gods
Material type: TextPublication details: Lexington : The University Press of Kentucky, (c)1988.Description: 1 online resource (386 pages)Content type:- text
- computer
- online resource
- 9780813161303
- PR2819 .K564 1988
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
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Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | Non-fiction | PR2819 .4 2015 (Browse shelf(Opens below)) | Link to resource | Available | ocn900344929 |
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Includes bibliographies and index.
Cover; Title; Copyright; Contents; Acknowledgments; Note on the Text; Part I; I. The Problem; II. Renaissance Concepts of Providence; III. Sidney's Arcadia: Four Attitudes to Providence; IV. From Leir to Lear; Part II; V. Prisca Theologia: Cordelia and Edgar; VI. Pagan Atheism: Goneril and Regan, Edmund; VII. Pagan Superstition: Gloucester; VIII. Deus Absconditus: Lear; Part III; IX. Double Plot; X. Minor Characters: Kent, Cornwall, Albany, the Fool; XI. Irony as Structure; XII. Conclusion; King Lear Studies: 1967-1987; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V.
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Many critics hold that Shakespeare's King Lear is primarily a drama of meaningful suffering and redemption within a just universe ruled by providential higher powers. William Elton's King Lear and the Gods challenges the validity of this widespread optimistic view. Testing the prevailing view against the play's acknowledged sources, and analyzing the functions of the double plot, the characters, and the play's implicit ironies, Elton concludes that this standard interpretation constitutes a serious misreading of the tragedy.
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