Counterpoint : fundamentals of music making / Markand Thakar.

By:

Thakar, Markand, 1955- [Author]

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9780300157383

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

MT55 .C686 1990

Online resources:

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Available additional physical forms:

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	MT55 (Browse shelf(Opens below))	Link to resource	Available		ocn896826688

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Previous	MT6.35 Theoretical-practical elements of music, parts III and IVFrancesco Galeazzi ; a translation of Elementi teorico-pratici di musica, with an introduction and annotations by Deborah Burton and Gregory W. Harwood.	MT35 The mind's ear exercises for improving the musical imagination for performers, composers, and listeners /	MT42 Rhythmic and melodic patterns to accompany popular songs using chord symbols and their piano arrangements /Tomáš Kuhn.	MT55 Counterpoint : fundamentals of music making /	MT64.65 Composing for moving pictures the essential guide /	MT70 The Cambridge guide to orchestrationErtugrul Sevsay.	MT85 Rehearsing : critical connections for the instrumental music conductor /	Next

Includes bibliographies and index.

""Cover""; ""Contents""; ""Acknowledgments""; ""Introduction""; ""ONE: PRIMORDIAL LINE""; ""Elements of Line""; ""Stepwise Motion""; ""Discrete Participation""; ""Unitary Apprehension""; ""Attributes of a Tone""; ""Stepwise Foundation""; ""Addendum: The Minor Mode""; ""Cantus Firmus""; ""TWO: TWO-PART COUNTERPOINT""; ""Conjunct Lines""; ""Harmonic Intervals""; ""Addendum: Balance""; ""Conjunction""; ""Primordial Lines""; ""Independence""; ""Unitary Apprehension""; ""First Species""; ""THREE: DISSONANCE""; ""Elements of Dissonance""; ""Passing Tones""; ""Neighbor Tones""

""Successive Dissonances""""Cambiatas""; ""Dissonant Suspensions""; ""Second Species""; ""Third Species""; ""Fourth Species""; ""FOUR: RHYTHMIC VARIETY""; ""Characteristics of Rhythmic Variety""; ""Longer and Shorter Note Values""; ""Diverse Note Values""; ""Successive Short Note Values""; ""Fifth Species""; ""FIVE: THREE-PART COUNTERPOINT""; ""Three Conjunct Lines""; ""Triads""; ""Conjunction""; ""Primordial Lines""; ""Independence""; ""Unitary Apprehension""; ""First Species""; ""Second Species""; ""Third Species""; ""Fourth Species""; ""Fifth Species""; ""SIX: MIXED SPECIES""

""Conjunct Lines in Mixed Species""""Consonant Agents""; ""Multileveled Agency""; ""Implied Harmony""; ""Compound Melody""; ""Type 1""; ""Type 2""; ""Type 3""; ""Type 4""; ""SEVEN: CONSEQUENCES AND APPLICATIONS""; ""Consequences of Agency""; ""Performance""; ""Musical Passages""; ""Preliminary Considerations""; ""Passage A""; ""Passage B""; ""Functional Bass""; ""Whole Works""; ""Appendix: Write-Throughs""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""H""; ""I""; ""J""; ""L""; ""M""; ""N""; ""O""; ""P""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""

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