Eighteenth-century fiction and the reinvention of wonderSarah Tindal Kareem.
Material type: TextPublication details: Oxford : Oxford University Press, (c)2014.Description: 1 online resourceContent type:- text
- computer
- online resource
- 9781322222738
- 9780191003127
- 18th-century fiction and the reinvention of wonder
- PR851 .E344 2014
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
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Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | Non-fiction | PR851 (Browse shelf(Opens below)) | Link to resource | Available | ocn894124093 |
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Includes bibliographies and index.
A footprint materializes mysteriously on a deserted shore; a giant helmet falls from the sky; a traveler awakens to find his horse dangling from a church steeple. Eighteenth-century fiction brims with moments such as these, in which the prosaic rubs up against the marvelous. While it is a truism that the period's literature is distinguished by its realism and air of probability, Eighteenth-Century Fiction and the Reinvention of Wonder argues that wonder is integral to-rather than antithetical to-the developing techniques of novelistic fiction. Positioning its reader on the cusp between recognition and estrangement, between faith and doubt, modern fiction hinges upon wonder. 'Eighteenth-Century Fiction and the Reinvention of Wonder's chapters unfold its new account of fiction's rise through surprising new readings of classic early novels-from Daniel Defoe's Robinson Crusoe to Jane Austen's Northanger Abbey-as well as bringing to attention lesser known works, most notably Rudolf Raspe's Baron Munchausen's 'Narrative of His Marvellous Travels'. In this bold new account, the eighteenth century bears witness not to the world's disenchantment but rather to wonder's re-location from the supernatural realm to the empirical world, providing a re-evaluation not only of how we look back at the Enlightenment, but also of how we read today.
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