Funnybooks : the improbable glories of the best American comic books / Michael Barrier.
Material type: TextPublication details: Oakland, California : University of California Press, (c)2015.Description: 1 online resource (434 pages)Content type:- text
- computer
- online resource
- 9780520960022
- PN6725 .F866 2015
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | Non-fiction | PN6725 (Browse shelf(Opens below)) | Link to resource | Available | ocn893336453 |
Browsing G. Allen Fleece Library shelves, Shelving location: ONLINE, Collection: Non-fiction Close shelf browser (Hides shelf browser)
Includes bibliographies and index.
Mickey in a Magazine -- Oskar Lebeck Meets Walt Kelly -- Whitman, K.K., and Dell -- Learning on the Job in L.A. -- Feel for Walt Kelly's Stuff -- Animal Magnetism -- Cartoon Conundrums -- Carl Barks Makes His Break -- Barks Becomes the Duck Man -- Workman: Gaylord DuBois -- Observer: John Stanley -- "I Am a Backwoods Bumpkin" -- "Pure Corn" at Disney's -- Special Talents -- Barks Masters His Medium -- Arena for All the Passions -- Animal Kingdoms -- Walt Kelly Branches Out -- Strong-Handed Friends -- Carl Barks: The Virtuoso -- Walt Kelly Escapes -- Oskar Lebeck in Exile -- Manifest Destiny -- Uncle Scrooge: Play Money -- Carl Barks in Purgatory -- Slow Fade -- Disasters.
Funnybooks is the story of the most popular American comic books of the 1940s and 1950s, those published under the Dell label. For a time, ""Dell Comics Are Good Comics"" was more than a slogan-it was a simple statement of fact. Many of the stories written and drawn by people like Carl Barks (Donald Duck, Uncle Scrooge), John Stanley (Little Lulu), and Walt Kelly (Pogo) repay reading and rereading by educated adults even today, decades after they were published as disposable entertainment for children. Such triumphs were improbable, to say the least, because midcentury comics were so widely di.
COPYRIGHT NOT covered - Click this link to request copyright permission:
There are no comments on this title.