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Screen acting : a cognitive approach / Dan Leberg.

By: Material type: TextTextPublication details: Edinburgh : Edinburgh University Press Ltd, (c)2022.Description: 1 online resource (x, 209 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781474484152
  • 9781474484169
Subject(s): Genre/Form: LOC classification:
  • PN1995 .S374 2022
Online resources: Available additional physical forms:
Contents:
Introduction : The missing parts -- The moving parts -- All by our selves : Empathy and acting -- The actor's three empathetic connections -- Acting culture and audition preparation -- Empathetic work prior to shooting -- Empathy on set -- Conclusion : "Ready for my close-up."
Subject: "Takes a cognitive approach to screen acting. This book approaches film and television acting from an actor's perspective rather than that of an audience member, and therefore theorizes how screen acting works as a process that engages an actor's memory, imagination, emotions, and physical body in the creation of a character. It argues that film actors strive to perform profound empathetic connections with their characters and fellow actors, and then put themselves out there through performing to make those connections clear to the eventual audience. It combines interviews with working professional film and television actors, key insights and methods from Film, Television, and Theatre Studies, and theories of imagination and embodiment to show that screen actors are more than just 'the moving parts' of the mise-en-scene."--
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Holdings
Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction PN1995.9 (Browse shelf(Opens below)) Link to resource Available on1352972021

Includes bibliographies and index.

Introduction : The missing parts -- The moving parts -- All by our selves : Empathy and acting -- The actor's three empathetic connections -- Acting culture and audition preparation -- Empathetic work prior to shooting -- Empathy on set -- Conclusion : "Ready for my close-up."

"Takes a cognitive approach to screen acting. This book approaches film and television acting from an actor's perspective rather than that of an audience member, and therefore theorizes how screen acting works as a process that engages an actor's memory, imagination, emotions, and physical body in the creation of a character. It argues that film actors strive to perform profound empathetic connections with their characters and fellow actors, and then put themselves out there through performing to make those connections clear to the eventual audience. It combines interviews with working professional film and television actors, key insights and methods from Film, Television, and Theatre Studies, and theories of imagination and embodiment to show that screen actors are more than just 'the moving parts' of the mise-en-scene."--

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