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Derivative images : financial derivatives in french film, literature and thought / Calum Watt.

By: Material type: TextTextSeries: Publication details: Edinburgh : Edinburgh University Press, (c)2022.Description: 1 online resource (ix, 188 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781474486477
Subject(s): Genre/Form: LOC classification:
  • PN1993 .D475 2022
Online resources: Available additional physical forms:
Contents:
1. Lordon and the 2008 Crisis -- D'un retournement l'autre -- 'Une image bien choisie qui fait bouillir les sangs': Images and Affects -- Lordon, Images and Committed Art -- The Anarchic Condition -- 2. The Saints of the Crisis: Larnaudie and Stiegler in the Oversight Committee Room -- Les Effondres and the Collapse of Market Ideology -- Greenspan before Congress -- Proletarisation and Transvaluation -- 3. The Derivative in Film and Literary Theory -- Derivatives and Nonknowledge -- Derivative Images -- Is the Psyche a Market? -- Derivative Creativity -- Conclusion -- 4. Trading in Images: The Case of Kerviel -- Screens within Screens -- Kerviel at Societe Generale -- Trading as metier, the Trader as Functionary -- Suicide and Societe Generale -- 5. Derivative Films -- Effacing the Visual Currency: The Fountainhead -- 'L'argent est un bien public': Film Socialisme -- 'The images are there for the taking': Film Catastrophe -- 6. Dreaming Futures -- Argent and Value -- 'Fin de regne': Rever sous le capitalisme -- 'Ca imprime, ca imprime': L'Epoque, Escaparates
Select Bibliography -- Select Filmography -- Index
Subject: A theoretical, interdisciplinary reading of French film and literary texts inspired by the 2008 global financial crisis.
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Includes bibliographical references.

Introduction: The 2008 Financial Crisis, Film and Literature -- 1. Lordon and the 2008 Crisis -- D'un retournement l'autre -- 'Une image bien choisie qui fait bouillir les sangs': Images and Affects -- Lordon, Images and Committed Art -- The Anarchic Condition -- 2. The Saints of the Crisis: Larnaudie and Stiegler in the Oversight Committee Room -- Les Effondres and the Collapse of Market Ideology -- Greenspan before Congress -- Proletarisation and Transvaluation -- 3. The Derivative in Film and Literary Theory -- Derivatives and Nonknowledge -- Derivative Images -- Is the Psyche a Market? -- Derivative Creativity -- Conclusion -- 4. Trading in Images: The Case of Kerviel -- Screens within Screens -- Kerviel at Societe Generale -- Trading as metier, the Trader as Functionary -- Suicide and Societe Generale -- 5. Derivative Films -- Effacing the Visual Currency: The Fountainhead -- 'L'argent est un bien public': Film Socialisme -- 'The images are there for the taking': Film Catastrophe -- 6. Dreaming Futures -- Argent and Value -- 'Fin de regne': Rever sous le capitalisme -- 'Ca imprime, ca imprime': L'Epoque, Escaparates

Conclusion: Ambivalences of the Derivative -- Select Bibliography -- Select Filmography -- Index

A theoretical, interdisciplinary reading of French film and literary texts inspired by the 2008 global financial crisis.

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