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Vocal consistency and artistic freedom : Existentialism and vocal instruction in higher education / Susan Boddie.

By: Material type: TextTextDescription: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781863352406
Subject(s): Genre/Form: LOC classification:
  • MT820 .V633 2021
Online resources: Available additional physical forms:
Contents:
The National Schools of Singing -- Building the student-teacher Relationship -- Exploring the Relationship of Hermeneutic Phenomenology and Existentialism in the Study -- Freedom and Responsibility of the Singer -- Unlocking the Potential of Singers.
Subject: "Many varying approaches to vocal instruction exist in higher education programs which appear to prolong inconsistency and unengaged performing. This research explores several existentialist principles of Jean-Paul Sartre and how these principles may inform and enhance current vocal teaching practice in higher education and perhaps better prepare new voice teachers. The study considers the effectiveness of the application of Sartre's existentialist principles and how they may inform vocal instruction and improve vocal development. In this way, this study is a pedagogical tool for currently practicing teachers as well as a valuable resource for new voice teachers"--
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Holdings
Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction MT820 (Browse shelf(Opens below)) Link to resource Available on1243026006

Includes bibliographies and index.

Introduction. The challenge of achieving a consistent resonant singing tone -- The National Schools of Singing -- Building the student-teacher Relationship -- Exploring the Relationship of Hermeneutic Phenomenology and Existentialism in the Study -- Freedom and Responsibility of the Singer -- Unlocking the Potential of Singers.

"Many varying approaches to vocal instruction exist in higher education programs which appear to prolong inconsistency and unengaged performing. This research explores several existentialist principles of Jean-Paul Sartre and how these principles may inform and enhance current vocal teaching practice in higher education and perhaps better prepare new voice teachers. The study considers the effectiveness of the application of Sartre's existentialist principles and how they may inform vocal instruction and improve vocal development. In this way, this study is a pedagogical tool for currently practicing teachers as well as a valuable resource for new voice teachers"--

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