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Writing old age and impairments in late medieval England /by Will Rogers.

By: Contributor(s): Material type: TextTextSeries: Publication details: Baltimore, Md. : Project MUSE, 0000.Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781641892551
Subject(s): Genre/Form: LOC classification:
  • PR275 .W758 2021
Online resources: Available additional physical forms:Summary: The old speaker in Middle English literature often claims to be impaired because of age. This admission is often followed by narration that directly contradicts it, as speakers, such as the Reeve in Chaucer's 'Canterbury Tales' or Amans in Gower's 'Confessio Amantis', proceed to perform even as they claim debility. More than the modesty topos, this contradiction exists, the book argues, as prosthesis: old age brings with it debility, but discussing age-related impairments augments the old, impaired body, while simultaneously undercutting and emphasizing bodily impairments. This language of prosthesis becomes a metaphor for the works these speakers use to fashion narrative, which exist as incomplete yet powerful sources.
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Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction PR275.54 (Browse shelf(Opens below)) Link to resource Available on1246809504

Includes bibliographies and index.

The old speaker in Middle English literature often claims to be impaired because of age. This admission is often followed by narration that directly contradicts it, as speakers, such as the Reeve in Chaucer's 'Canterbury Tales' or Amans in Gower's 'Confessio Amantis', proceed to perform even as they claim debility. More than the modesty topos, this contradiction exists, the book argues, as prosthesis: old age brings with it debility, but discussing age-related impairments augments the old, impaired body, while simultaneously undercutting and emphasizing bodily impairments. This language of prosthesis becomes a metaphor for the works these speakers use to fashion narrative, which exist as incomplete yet powerful sources.

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