AIRING THE PAST : inquiries into digital memories.

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781848884953

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

BD21 .A375 2019

Online resources:

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Available additional physical forms:

Contents:

Preliminary Material / Nuria Rodríguez Ortega , Fátima Díez-Platas and Seppo Kuivakari -- Seeing the Unseen: The Politics and Privileges of Invisibility and Opacity in the Digital Archive / Rhiannon S. Bettivia -- Remembering Everything? Techno-Optimisms and Digital Debris / Chloé S. Georas -- Mapping Testimonies: The Interview Archive 'Forced Labor 1939-1945' / Cord Pagenstecher -- The Rise of Online Social Networks in Greece: The Case of Facebook / Emmanouil Melissourgakis -- Urban Memory and Mobility: The Designing of a City Museum in Greece / Eleni Sideri -- Unsealing Simulation and the Allegories of Construction / Seppo Kuivakari -- Tracking and Sharing: Performance Art, Web and Documentation / Riikka Niemelä -- Poetics of Memory: Invention and Discovery Using Metadata to Create Cultural Memories in Programmable Environments / Carlos Henrique Rezende Falci -- Structuralist Content Design in the Multi-Touch Museum Environment / Jaroslav Vancat and Daniel Riha -- How Can Knowledge Engineering (KE) Open New Interpretations in the Field of Art Theory? A Case Study Based on 16th and 17th Art-Theoretical Production / Nuria Rodríguez-Ortega and José Pino Díaz -- Teaching Ancient Egyptian Art Online: Experiences and Proposals from U.N.E.D., Spain / Inmaculada Vivas Sáinz.

Subject: The articles comprised in this anthology are attempting to discuss the rapid change of digital media technologies and the way they impetus our understanding of history and memory. History should not be regarded only as an object of research. It is also a subject, performing and registering agency. The aim of the articles will not be to cover the whole range of mediated histories, but to claim fresh insights for debate and discovery in terms of digital memories. In this sense, contributions for this volume will leave the "doors of perception" (Aldous Huxley) wide open and sketch the impact of media to different cultural practices, identity work and preservation of history, as well as the examination of it. Likewise, divergence of the papers at hand indicates that the concept "digital" ought to be recognized as institutional practices, methodological tools, or as content providers for memories.

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	BD21 (Browse shelf(Opens below))	Link to resource	Available		on1096240459

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Previous	BC181 New thinking about propositions /Jeffrey C. King, Scott Soames, Jeff Speaks.	BC199.47 The limits of inference without theoryKenneth I. Wolpin.	BC199.5 Pretense and pathology : philosophical fictionalism and its applications /	BD21 AIRING THE PAST : inquiries into digital memories.	BD21 100 great philosophers who changed the worldPhilip Stokes.	BD21 Collected Essays in Speculative Philosophy	BD21 Thinking about ordinary things : a short invitation to philosophy /	Next

Includes bibliographies and index.

The articles comprised in this anthology are attempting to discuss the rapid change of digital media technologies and the way they impetus our understanding of history and memory. History should not be regarded only as an object of research. It is also a subject, performing and registering agency. The aim of the articles will not be to cover the whole range of mediated histories, but to claim fresh insights for debate and discovery in terms of digital memories. In this sense, contributions for this volume will leave the "doors of perception" (Aldous Huxley) wide open and sketch the impact of media to different cultural practices, identity work and preservation of history, as well as the examination of it. Likewise, divergence of the papers at hand indicates that the concept "digital" ought to be recognized as institutional practices, methodological tools, or as content providers for memories.

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