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The National Frame : Art and State Violence in Turkey and Germany / Banu Karaca.

By: Material type: TextTextDescription: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780823290222
  • 9780823290239
Subject(s): Genre/Form: LOC classification:
  • N8846 .N385 2021
Online resources: Available additional physical forms:
Contents:
Title Page -- Copyright -- Contents -- Introduction: Intimate Encounters -- 1. Modernity, Nationalism, and Civilizing the Arts -- 2. Art Worlds: Of Friends, Foes, and Working for the Greater Good -- 3. Governing Culture, Producing Modern Citizens -- 4. The Art of Forgetting -- 5. The Politics of Art and Censorship -- 6. Enterprising Art, Aestheticizing Business -- Instead of a Conclusion: Meeting, Again -- Acknowledgments -- Notes -- References -- Index -- About the Author
Subject: The National Frame rethinks the politics of art by focusing on the role of art in state governance. It argues that artistic practices, arts patronage and sponsorship, collecting and curating art, and the modalities of censorship, continue to be refracted through the conceptual lens of the nation-state, despite the globalization of the arts.
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Includes bibliographies and index.

Intro -- Title Page -- Copyright -- Contents -- Introduction: Intimate Encounters -- 1. Modernity, Nationalism, and Civilizing the Arts -- 2. Art Worlds: Of Friends, Foes, and Working for the Greater Good -- 3. Governing Culture, Producing Modern Citizens -- 4. The Art of Forgetting -- 5. The Politics of Art and Censorship -- 6. Enterprising Art, Aestheticizing Business -- Instead of a Conclusion: Meeting, Again -- Acknowledgments -- Notes -- References -- Index -- About the Author

The National Frame rethinks the politics of art by focusing on the role of art in state governance. It argues that artistic practices, arts patronage and sponsorship, collecting and curating art, and the modalities of censorship, continue to be refracted through the conceptual lens of the nation-state, despite the globalization of the arts.

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