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Picturing worlds : visuality and visual sovereignty in contemporary Anishinaabe literature / David Stirrup.

By: Material type: TextTextSeries: American Indian studies seriesPublication details: East Lansing : Michigan State University Press, (c)2020.Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781609176266
Subject(s): Genre/Form: LOC classification:
  • PM853 .P538 2020
Online resources: Available additional physical forms:
Contents:
Contents -- Acknowledgments -- Introduction -- Chapter 1. An Indian Well Versed: (Con)Textualizing Anishinaabeakiing-George Copway and Jane Johnston Schoolcraft -- Chapter 2. X-ing Boundaries: Transmotion, Transformation, and the Art of Engaged Resistance in Contemporary Anishinaabe Poetics -- Chapter 3. Reckoning Beyond the Crossing/X-ing: Formal Diversity and Visual Sovereignty in Gordon Henry Jr.'s The Light People -- Chapter 4. Picturing Absence and Postcolonial Presence: Unsettling a Colonial Grammar in Selected Works by Louise Erdrich
Chapter 6. Performance, Resistance: Countering the indian and Sovereign Aesthetics in Contemporary Anishinaabe Drama -- Conclusion -- Notes -- Bibliography -- Index
Subject: "Picturing Worlds examines the uses that a range of Anishinaabe authors make of art and artists. It examines the ways these authors establish frameworks for continuity, resistance, and sovereignty in that "space" where conventional narratives of settlement read rupture"--
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Includes bibliographies and index.

Intro -- Contents -- Acknowledgments -- Introduction -- Chapter 1. An Indian Well Versed: (Con)Textualizing Anishinaabeakiing-George Copway and Jane Johnston Schoolcraft -- Chapter 2. X-ing Boundaries: Transmotion, Transformation, and the Art of Engaged Resistance in Contemporary Anishinaabe Poetics -- Chapter 3. Reckoning Beyond the Crossing/X-ing: Formal Diversity and Visual Sovereignty in Gordon Henry Jr.'s The Light People -- Chapter 4. Picturing Absence and Postcolonial Presence: Unsettling a Colonial Grammar in Selected Works by Louise Erdrich

Chapter 5. So, How Can You Hear Stones and Pictures? Gerald Vizenor's Imagic Returns -- Chapter 6. Performance, Resistance: Countering the indian and Sovereign Aesthetics in Contemporary Anishinaabe Drama -- Conclusion -- Notes -- Bibliography -- Index

"Picturing Worlds examines the uses that a range of Anishinaabe authors make of art and artists. It examines the ways these authors establish frameworks for continuity, resistance, and sovereignty in that "space" where conventional narratives of settlement read rupture"--

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