Art, global Maoism and the Chinese Cultural Revolution /edited by Jacopo Galimberti, Noemi de Haro García and Victoria H. F. Scott.

Contributor(s):

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781526117472

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

HX521 .A784 2020

Online resources:

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Available additional physical forms:

Contents:

Jacopo Galimberti, Noemi de Haro-García and Victoria H. F. Scott -- 1. Realising the Chinese Dream: three visions of Making China great again / Stefan R. Landsberger -- 2. Realism, socialist realism and China's avant-garde: a historical perspective / Yan Geng -- 3. Engineering the human soul in 1950s Indonesia and Singapore / Simon Soon -- 4. Framing margins: Mao and visuality in twentieth-century India / Sanjukta Sunderason -- 5. The Black Panther newspaper and revolutionary aesthetics / Colette Gaiter -- 6. The Red Flag: the art and politics of West German Maoism / Lauren Graber and Daniel Spaulding -- 7. A secondary contradiction: feminist aesthetics and 'The Red Room for Vietnam' / Elodie Antoine -- 8. Materialist translations of Maoism in the work of Supports/Surfaces / Allison Myers -- 9. Mao, militancy and media: Daniel Dezeuze and China from scroll to (TV) screen / Sarah Wilson -- 10. La Familia Lavapiés: Maoism, art and dissidence in Spain / Noemi de Haro-García -- 11. Maoism, Dadaism and Mao-Dadaism in 1960s and 1970s Italy / Jacopo Galimberti -- 12. Another red in the Portuguese diaspora: Lourdes Castro and Manuel Zimbro's Un autre livre rouge / Ana Bigotte Vieira and André Silveira -- 13. Avenida Mao Tse Tung (or how artists navigated the Mozambican Revolution) / Polly Savage -- 14. Maoist imaginaries in Latin American art -- Ana Longoni --15. Iconography of a prison massacre: drawings by Peruvian Shining Path war survivors / Anouk Guiné -- 16. Mao in a gondola: Chinese representation at the Venice Biennale (1993-2003) / Estelle Bories -- 17. Reproducibility, propaganda and the Chinese origins of neoliberal aesthetics / Victoria H. F. Scott.

Subject: "This is the first book to explore the global influence of Maoism on modern and contemporary art. Featuring eighteen original essays written by established and emerging scholars from around the world, and illustrated with fascinating images not widely known in the west, the volume demonstrates the significance of visuality in understanding the protean nature of this powerful worldwide revolutionary movement. Contributions address regions as diverse as Singapore, Madrid, Lima and Maputo, moving beyond stereotypes and misconceptions of Mao Zedong Thought's influence on art to deliver a survey of the social and political contexts of this international phenomenon. At the same time, the book attends to the the similarities and differences between each case study. It demonstrates that the chameleonic appearances of global Maoism deserve a more prominent place in the art history of both the twentieth and twenty-first centuries."--Provided by publisher.

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	HX521 (Browse shelf(Opens below))	Link to resource	Available		on1128094194

Includes bibliographies and index.

"This is the first book to explore the global influence of Maoism on modern and contemporary art. Featuring eighteen original essays written by established and emerging scholars from around the world, and illustrated with fascinating images not widely known in the west, the volume demonstrates the significance of visuality in understanding the protean nature of this powerful worldwide revolutionary movement. Contributions address regions as diverse as Singapore, Madrid, Lima and Maputo, moving beyond stereotypes and misconceptions of Mao Zedong Thought's influence on art to deliver a survey of the social and political contexts of this international phenomenon. At the same time, the book attends to the the similarities and differences between each case study. It demonstrates that the chameleonic appearances of global Maoism deserve a more prominent place in the art history of both the twentieth and twenty-first centuries."--Provided by publisher.

Introduction: the art of contradiction / Jacopo Galimberti, Noemi de Haro-García and Victoria H. F. Scott -- 1. Realising the Chinese Dream: three visions of Making China great again / Stefan R. Landsberger -- 2. Realism, socialist realism and China's avant-garde: a historical perspective / Yan Geng -- 3. Engineering the human soul in 1950s Indonesia and Singapore / Simon Soon -- 4. Framing margins: Mao and visuality in twentieth-century India / Sanjukta Sunderason -- 5. The Black Panther newspaper and revolutionary aesthetics / Colette Gaiter -- 6. The Red Flag: the art and politics of West German Maoism / Lauren Graber and Daniel Spaulding -- 7. A secondary contradiction: feminist aesthetics and 'The Red Room for Vietnam' / Elodie Antoine -- 8. Materialist translations of Maoism in the work of Supports/Surfaces / Allison Myers -- 9. Mao, militancy and media: Daniel Dezeuze and China from scroll to (TV) screen / Sarah Wilson -- 10. La Familia Lavapiés: Maoism, art and dissidence in Spain / Noemi de Haro-García -- 11. Maoism, Dadaism and Mao-Dadaism in 1960s and 1970s Italy / Jacopo Galimberti -- 12. Another red in the Portuguese diaspora: Lourdes Castro and Manuel Zimbro's Un autre livre rouge / Ana Bigotte Vieira and André Silveira -- 13. Avenida Mao Tse Tung (or how artists navigated the Mozambican Revolution) / Polly Savage -- 14. Maoist imaginaries in Latin American art -- Ana Longoni --15. Iconography of a prison massacre: drawings by Peruvian Shining Path war survivors / Anouk Guiné -- 16. Mao in a gondola: Chinese representation at the Venice Biennale (1993-2003) / Estelle Bories -- 17. Reproducibility, propaganda and the Chinese origins of neoliberal aesthetics / Victoria H. F. Scott.

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