On Ibsen and Strindberg The Reversed Telescope.

By:

Perrelli, Franco [Author]

Material type: Text

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781527520646

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

PT8895 .O553 2019

Online resources:

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Available additional physical forms:

Contents:

Subject: This book adopts a comparative approach to examine some curious and original aspects of the dramaturgy and the scenic conception of two great Nordic writers, Henrik Ibsen and August Strindberg. As far as Ibsen is concerned, the book looks at the connection between his works and the European Risorgimenti, the anthropological relationship with the rites and atmospheres of Southern Italy, and the problematic link with theatrical tradition. With regards to Strindberg, light is shed on his intense identification with Euripides, but also with his ""enemy"" Ibsen, and his interest in modern theatrica.

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	PT8895 (Browse shelf(Opens below))	Link to resource	Available		on1080083907

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Previous	PT8452.37 Fascism and modernist literature in Norway /Dean Krouk.	PT8861 A doll's house.	PT8890 Henrik Ibsen : the man and the mask /	PT8895 On Ibsen and Strindberg The Reversed Telescope.	PT8903.84 Dagny : Dagny Juel Przybyszewska, the woman and the myth /	PT9771 Re-mapping Lagerlöf : performance, intermediality and European transmissions /	PT9812.82 Drama as text and performance : Strindberg's and Bergman's Miss Julie = Drama som text och föreställning : Strindbergs Fröken Julie och Bergmans /	Next

Description based upon print version of record.

Includes bibliographies and index.

Intro; Table of Contents; Preface; List of Abbreviations; Chapter One; Chapter Two; Chapter Three; Chapter Four; Chapter Five; Chapter Six; Chapter Seven; Chapter Eight; Chapter Nine; Bibliography; Index

This book adopts a comparative approach to examine some curious and original aspects of the dramaturgy and the scenic conception of two great Nordic writers, Henrik Ibsen and August Strindberg. As far as Ibsen is concerned, the book looks at the connection between his works and the European Risorgimenti, the anthropological relationship with the rites and atmospheres of Southern Italy, and the problematic link with theatrical tradition. With regards to Strindberg, light is shed on his intense identification with Euripides, but also with his ""enemy"" Ibsen, and his interest in modern theatrica.

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