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The supermarket of the visible : toward a general economy of images / Peter Szendy ; translated by Jan Plug.

By: Contributor(s): Material type: TextTextLanguage: English Original language: French Series: Publication details: New York : Fordham University Press, (c)2019.Edition: First editionDescription: 1 online resource (viii, 161 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780823283590
Subject(s): Genre/Form: LOC classification:
  • PN1995 .S874 2019
Online resources: Available additional physical forms:
Contents:
Subject: The Supermarket of the Visible elaborates a political economy of the images that saturate our world. From the first elevators and escalators (tracking shots avant la lettre) to cinema (the great conductor of gazes), all the way down to contemporary eye-tracking techniques that monitor the slightest saccades of our eyes, Peter Szendy offers an entirely novel theory of the intersection of visual culture and economics.
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Holdings
Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction PN1995 (Browse shelf(Opens below)) Link to resource Available on1090682546

Translated from the French.

Includes bibliographies and index.

Cover; The Supermarket of the Visible; Title; Copyright; CONTENTS; Sydney Lectures; 1. Money, or The Other Side of Images; 2. The Point of (No) Exchange, or The Debt-Image; 3. Innervation, or The Gaze of Capital; Additional Features; Merchandise: Godzilla's Eye; Deleted Scenes: Doors and Slide Changers in Pickpocket and Obsession; Deleted Scenes: Three Variations on Time and Money (Antonioni, De Palma, Bresson); Photo Gallery: Blow-Up, or Why There Are No Images; Locations: 23, rue Bénard, Paris, 75014; Deleted Scene: The Fluctuations of the Unchained Camera (L'Herbier)

Deleted Scenes: The General Fetishism of the MarxesDeleted Scenes: The Amortization of the Gaze (King Kong); Formats: Surplus Definition (Redacted); Credits; Notes; Index; AUTHOR BIOS

The Supermarket of the Visible elaborates a political economy of the images that saturate our world. From the first elevators and escalators (tracking shots avant la lettre) to cinema (the great conductor of gazes), all the way down to contemporary eye-tracking techniques that monitor the slightest saccades of our eyes, Peter Szendy offers an entirely novel theory of the intersection of visual culture and economics.

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