Gender, ethnicity and sexuality in contemporary American film /Jude Davies and Carol R. Smith.
Material type: TextPublication details: Chicago, Il : Fitzroy Dearborn Publishers, (c)2000.Description: 1 online resource (vii, 156 pages)Content type:- text
- computer
- online resource
- 9781135958305
- PN1995 .G463 2000
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
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Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | Non-fiction | PN1995.9.45 (Browse shelf(Opens below)) | Link to resource | Available | ocn858861583 |
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Includes bibliographies and index.
Introduction: the uses of identity in post-Reagan Hollywood film -- White masculinity as paternity: Michael Douglas, fatherhood and the uses of the American family. Wall Street: good capitalism and bad--the all-male family vs. homosexual seduction ; Falling down: identity politics for straight white males ; Disclosure: virtual identities--sexual politics and Pacific Rim economics -- Transactions in race and ethnicity: positive, negative and interrogative images of African Americans on film. The function of race in constructions of American ethnicity ; Negative, positive and interrogative images ; 'The new racism' and cultural politics in the 1990s ; Glory: African American history as male rites of passage ; Tensioned and interlocking identities in Daughters of the dust ; Iconicity: image and narrative in Spike Lee's Malcom X
Putting the homo into America: reconstructing gay identities in the national frame. The celluloid closet and The question of equality: reconstructing gay film history ; Stonewall's romances of resistance ; Tongues untied and national narratives of black and gay identity ; Swoon: murdering stereotypes ; Go fish: lesbian romances of resistance ; Philadelphia: people like us? -- Conclusion: aliens from Star Wars to Independence Day.
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