Tonality as Drama Closure and Interruption in Four Twentieth-Century American Operas / Edward D. Latham. [print]

By:

Latham, Edward David [Author]

Contributor(s):

Project Muse []

Material type: Text

TextSeries: Book collections on Project MUSEManufacturer: Baltimore, Maryland : Project MUSE, 2012Description: 1 online resource (xv, 221 pages) : illustrationsContent type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781574413717

Subject(s):

Operas -- Analysis, appreciation

LOC classification:

MT95
MT95.P964.T663 2008

Online resources:

Click here to access online

Contents:

Dramatic closure: the Stanislavsky system and the attainment of character objectives-- -- Tonal closure: a Schenkerian approach to tonal drama-- -- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911) ; -- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935) ; -- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947) ; -- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954).

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Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	MT (Browse shelf(Opens below))	Link to resource	Available
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	MT (Browse shelf(Opens below))	Link to resource	Available
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	MT (Browse shelf(Opens below))	Link to resource	Available
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	MT (Browse shelf(Opens below))	Link to resource	Available

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Tonality as drama: an introduction-- -- Dramatic closure: the Stanislavsky system and the attainment of character objectives-- -- Tonal closure: a Schenkerian approach to tonal drama-- -- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911) ; -- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935) ; -- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947) ; -- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954).

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