Parodies of Ownership Hip-Hop Aesthetics and Intellectual Property Law / Richard L. Schur. [print]
Material type: TextSeries: Book collections on Project MUSEManufacturer: Baltimore, Maryland : Project MUSE, 2011Description: 1 online resource (xiv, 236 pages)Content type:- text
- computer
- online resource
- 9780472024490
- KF4757
- KF4757.P964.P376 2009
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Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | KF (Browse shelf(Opens below)) | Link to resource | Available | |||
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | KF (Browse shelf(Opens below)) | Link to resource | Available | |||
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | KF (Browse shelf(Opens below)) | Link to resource | Available | |||
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | KF (Browse shelf(Opens below)) | Link to resource | Available |
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From chattel to intellectual property : legal foundations of African American cultural critique-- -- Critical race theory, signifyin', and cultural ownership-- -- Defining hip-hop aesthetics-- -- Claiming ownership in the post--civil rights era ; -- "Fair use" and the circulation of racialized texts ; -- "Transformative uses" : parody and memory-- -- From invisibility to erasure? The consequences of hip-hop aesthetics.
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