The arts of Islamic civilization / Isma'il Raji al Faruqi. [print]
Material type: TextSeries: Occasional papers ; 24.Publication details: London, England : International Institute of Islamic Thought, (c)2013.Description: 30 pages : illustrations, maps ; 23 cmContent type:- text
- unmediated
- volume
- 9781565645585
- N6260.A316.A787 2013
- N6260
- COPYRIGHT NOT covered - Click this link to request copyright permission:
Item type | Current library | Collection | Call number | Status | Date due | Barcode | |
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Circulating Book (checkout times vary with patron status) | G. Allen Fleece Library PAMPHLET | Non-fiction | N6260.F378.A787 2013 (Browse shelf(Opens below)) | Available | 31923001687629 |
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M1999.H95 The Hymns of Martin Luther / | M2019.2.I67 1958 Inspiring duets for all voice combinations, volume two / | M2060.B23 C4 1935 Anniversary collection of Bach chorales : a selected group of sacred choral songs / | N6260.F378.A787 2013 The arts of Islamic civilization / | N6260.H363.T446 2017 The theory of Islamic art : aesthetic concept and epistemic structure / | N7326.W44 1940z Indonesian art. | NK5343.A72 1979 Stained glass / |
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In dealing with any aspect of Islamic civilization, its final raison d'etre and creative base must be seen as resting on the Qur'an. Islamic culture is, in fact, a "Qur'anic culture"; for its definitions, its structures, its goals, and its methods for execution of those goals are all derived from that series of revelations from God to the Prophet Muhammad. Without that revelation, the culture could not have been generated; without that revelation, there could have been neither an Islamic religion, an Islamic state, an Islamic philosophy, an Islamic law, an Islamic society, nor an Islamic political or economic organization. Just as surely as these aspects of Islamic culture may be rightly seen as Qur'anic in basis and motivation, in implementation and goal, the arts of Islamic civilization should also be viewed as aesthetic expressions of similar derivation and realization. Yes, the Islamic arts are indeed Qur'anic arts. How then are the Islamic arts to be seen as "Qur'anic" expressions in color, in line, in movement, in shape, and in sound? This is the subject of this work.
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