Blues, ideology, and Afro-American literature : a vernacular theory / Houston A. Baker, Jr.
Material type:
- 0226035360
- 9780226035369
- American literature -- African American authors -- History and criticism
- Blues (Music) -- History and criticism
- African Americans -- Intellectual life
- African Americans in literature
- Blues (Music) in literature
- Music and literature
- Blues Songs, etc. -- United States -- History and criticism
- English literature American negro writers, to 1979 - Critical studies
- PS153.B167.B584 1984
- PS153
Item type | Current library | Call number | Status | Barcode | |
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G. Allen Fleece Library NEW ITEM | PS153.B167.B584 1984 (Browse shelf(Opens below)) | Available | 31923002085849 |
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PN1997.W552 1999 The Winslow boy. | PN6120.2.D141.G743 2015 100 great short stories / | PR3722.S977.W758 1973 The writings of Jonathan Swift : authoritative texts, backgrounds, criticism / | PS153.B167.B584 1984 Blues, ideology, and Afro-American literature : a vernacular theory / | PS169.M849.T753 2013 The trickster figure in American literature / | PS508.G259.N678 2014 v.1 The Norton anthology of African American literature. Volume 1 /|cHenry Louis Gates, Jr., general editor ; Valerie Smith, general editor. | PS508.G259.N678 2014 v.2 The Norton anthology of African American literature. Volume 2, Realism, naturalism, modernism to the present / |
Includes bibliographies and index.
Figurations for a New American Literary history: archaeology, ideology, and Afro-American discourse.-- Discovering America: generational shifts, Afro-American literary criticism, and the study of expressive culture.-- A Dream of American form: fictive discourse, Black (w)holes, and a Blues book most excellent.
Relating the blues to American social and literary history and Afro-American expressive culture, Houston A. Baker, Jr. offers the basis for a broader study of American culture at its "vernacular" level. With extensive reference to economic and historical facts and to the contributions of symbolic anthropology, Marxist criticism, semiotics, and deconstruction, he discusses, among others, Harriet Jacobs, Frederick Douglass, Zora Neale Hurston, Paul Laurence Dunbar, Richard Wright, and Ralph Ellison. In these exemplary analyses, Baker shows how the "blues voice" and its economic undertones are both central to the American narrative and characteristic of the Afro-American way of telling it. -- From publisher's description.
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