Law and history in Cervantes' Don Quixote /Susan Byrne.
Material type: TextSeries: Publication details: Toronto ; Buffalo : University of Toronto Press, (c)2012.Description: 1 online resource (xiv, 240 pages)Content type:- text
- computer
- online resource
- 9781442662278
- PQ6353 .L393 2012
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
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Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | Non-fiction | PQ6353 (Browse shelf(Opens below)) | Link to resource | Available | ocn889194668 |
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Includes bibliographies and index.
Introduction: Cervantes' Quixotic mos Hispanicus -- History, jurisprudence, and the creation of the novel -- Giovio, Baeza, history, and law in Cervantes' works -- Jurisprudence in Spain, seventh to sixteenth centuries -- Laws broken, glossed, and made: Don Quixote -- Laws broken, glossed, and made: Sancho Panza and others -- History and historiography in the Quixote -- Cervantes' mos Hispanicus: considerations and conclusions.
"Law and History in Cervantes' Don Quixote is a deep consideration of the intellectual environment that gave rise to Cervantes' seminal work. Susan Byrne demonstrates how Cervantes synthesized the debates surrounding the two most authoritative discourses of his era - those of law and history - into a new aesthetic product, the modern novel. Byrne uncovers the empirical underpinnings of Don Quixote through a close philological study of Cervantes' sly questioning of and commentary on these fields. As she skilfully demonstrates, while sixteenth-century historiographers and jurists across southern Europe sought the philosophical nexus of their fields, Cervantes created one through the adventures of a protagonist whose history is all about justice. As such, Law and History in Cervantes' Don Quixote illustrates how Cervantes' art highlighted the inconsistencies of juridical-historical texts and practice, as well as anticipated the ultimate resolution of their paradoxes."--
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