Magical imaginations instrumental aesthetics in the English Renaissance / Genevieve Juliette Guenther.
Material type: TextPublication details: Toronto [Ont. : University of Toronto Press, (c)2012.; (Saint-Lazare, Quebec : Canadian Electronic Library, (c)2012).Description: 1 online resource (x, 169 pages)Content type:- text
- computer
- online resource
- 9781442693951
- PR525 .M345 2012
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
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Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | Non-fiction | PR525.24 (Browse shelf(Opens below)) | Link to resource | Available | ocn794619802 |
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Includes bibliographies and index.
Conjuration and The Defense of Poesy -- The Demonology of Spenserian Discipline -- Why Devils Came when Faustus Called Them -- The End of Magic: Instrumental Aesthetics in The Tempest -- Epilogue (Kant's Charm).
"Through analyses of texts ranging from sermons and theological treatises to medical tracts and legal documents, Genevieve Guenther sheds new light on magic as a cultural practice in early modern England. She demonstrates that magic was a highly pragmatic, even cynical endeavor infiltrating unexpected spheres--including Elizabethan taxation policy and Jacobean political philosophy. With this new understanding of early modern magic, and a fresh context for compelling readings of classic literary works, Magical Imaginations reveals the central importance of magic to English literary history"--Pub. desc.
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