Authors, audiences, and Old English verseThomas A. Bredehoft.
Material type: TextSeries: Publication details: Toronto [Ont. : University of Toronto Press, (c)2009.; (Saint-Lazare, Quebec : Canadian Electronic Library, (c)2010).Description: 1 online resource (xviii, 237 pages)Content type:- text
- computer
- online resource
- 9781442698413
- PE257 .A984 2009
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | Non-fiction | PE257 (Browse shelf(Opens below)) | Link to resource | Available | ocn707712873 |
Browsing G. Allen Fleece Library shelves, Shelving location: ONLINE, Collection: Non-fiction Close shelf browser (Hides shelf browser)
Includes bibliographies and index.
Introduction: Authorship and anonymity in Old English verse -- Manuscript audiences and other audiences -- The audience for Saxon songs in the late ninth century -- Literate poetic composition in tenth-century classical poems -- What has ¡lfric to do with Maldon? -- Eleventh-century traditions of formulaic composition -- Conclusion -- Appendix: Two unrecognized late Old English poems.
Authors, Audiences, and Old English Verse re-examines the Anglo-Saxon poetic tradition from the eighth to the eleventh centuries and reconsiders the significance of formulaic parallels and the nature of poetic authorship in Old English.
COPYRIGHT NOT covered - Click this link to request copyright permission:
There are no comments on this title.