Armour and masculinity in the Italian RenaissanceCarolyn Springer.

By:

Springer, Carolyn [Author]

Material type: Text

TextLanguage: English, Italian Series: Publication details: Toronto ; Buffalo : University of Toronto Press, (c)2010.Description: 1 online resource (xii, 241 pages) : illustrations, portraitsContent type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781442685765

Subject(s):

Genre/Form:

Electronic Books.

LOC classification:

NK6652 .A766 2010

Online resources:

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Available additional physical forms:

Contents:

The sacred body: the armour of sacrifice -- The grotesque body: tropes and apotropes -- Guidobaldo II della Rovere (1514-74) -- Charles V Habsburg (1500-58) -- Cosimo I de' Medici (1519-74).

Subject: "During the Italian Wars of 1494 to 1559, with innovations in military technology and tactics, armour began to disappear from the battlefield. Yet as field armour was retired, parade and ceremonial armour grew increasingly flamboyant. Displaced from its utilitarian function of defense but retained for symbolic uses, armour evolved in a new direction as a medium of artistic expression.Subject: Luxury armour became a chief accessory in the performance of elite male identity, coded with messages regarding the owner's social status, genealogy, and political alliances. Carolyn Springer decodes Renaissance armour as three-dimensional portraits through the case studies of three patrons of luxury armourers, Guidobaldo II della Rovere (1514-75), Charles V Habsburg (1500-58 and Holy Roman Emperor from 1519-56), and Cosimo I de'Medici (1519-74). A fascinating exposition of male self-representation, Armour and Masculinity in the Italian Renaissance explores the significance of armour in early modern Italy as both cultural artefact and symbolic form."--Pub. desc.

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)	G. Allen Fleece Library ONLINE	Non-fiction	NK6652.1 (Browse shelf(Opens below))	Link to resource	Available		ocn705263679

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Includes bibliographies and index.

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The classical body: the Poetics of the Bella Fiqura -- The sacred body: the armour of sacrifice -- The grotesque body: tropes and apotropes -- Guidobaldo II della Rovere (1514-74) -- Charles V Habsburg (1500-58) -- Cosimo I de' Medici (1519-74).

"During the Italian Wars of 1494 to 1559, with innovations in military technology and tactics, armour began to disappear from the battlefield. Yet as field armour was retired, parade and ceremonial armour grew increasingly flamboyant. Displaced from its utilitarian function of defense but retained for symbolic uses, armour evolved in a new direction as a medium of artistic expression.

Luxury armour became a chief accessory in the performance of elite male identity, coded with messages regarding the owner's social status, genealogy, and political alliances. Carolyn Springer decodes Renaissance armour as three-dimensional portraits through the case studies of three patrons of luxury armourers, Guidobaldo II della Rovere (1514-75), Charles V Habsburg (1500-58 and Holy Roman Emperor from 1519-56), and Cosimo I de'Medici (1519-74). A fascinating exposition of male self-representation, Armour and Masculinity in the Italian Renaissance explores the significance of armour in early modern Italy as both cultural artefact and symbolic form."--Pub. desc.

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