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Twentieth-century sentimentalism : narrative appropriation in American literature / Jennifer A. Williamson.

By: Material type: TextTextSeries: American Literatures InitiativePublication details: New Brunswick, New Jersey : Rutgers University Press, (c)2014.Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780813562995
  • 9781306189880
Subject(s): Genre/Form: LOC classification:
  • PS228 .T846 2014
Online resources: Available additional physical forms:
Contents:
Not plough-shares but people: Josephine Johnson's Now in November -- His home is not the land: caretaking, domesticity, and gender in John Steinbeck's The grapes of wrath -- Forged in a crucible of suffering: Margaret Walker's Jubilee -- Octavia Butler's Kindred: my face too was wet with tears -- Toni Morrison's Beloved: feeling how it must have felt to her mother.
Subject: <DIV><p style=""margin-bottom:0in;margin-bottom:.0001pt;line-height:150%"" class=""MsoNormal"">This book argues that sentimentalism, an eighteenth- and nineteenth-century literary mode, is alive and well in the modern era. By examining working-class literature that adopts the rhetoric of "feeling right" in order to promote a proletarian or humanist ideology as well as neo-slave narratives that wrestle with the legacy of slavery and cultural definitions of African American families, it explores the ways contemporary authors engage with familiar sentimental clichés and ideals. </div>
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Includes bibliographies and index.

Standing together, side by side: Grace Lumpkin's To make my bread -- Not plough-shares but people: Josephine Johnson's Now in November -- His home is not the land: caretaking, domesticity, and gender in John Steinbeck's The grapes of wrath -- Forged in a crucible of suffering: Margaret Walker's Jubilee -- Octavia Butler's Kindred: my face too was wet with tears -- Toni Morrison's Beloved: feeling how it must have felt to her mother.

<DIV><p style=""margin-bottom:0in;margin-bottom:.0001pt;line-height:150%"" class=""MsoNormal"">This book argues that sentimentalism, an eighteenth- and nineteenth-century literary mode, is alive and well in the modern era. By examining working-class literature that adopts the rhetoric of "feeling right" in order to promote a proletarian or humanist ideology as well as neo-slave narratives that wrestle with the legacy of slavery and cultural definitions of African American families, it explores the ways contemporary authors engage with familiar sentimental clichés and ideals. </div>

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