Postmodernism, traditional cultural forms, and African American narratives /W. Lawrence Hogue.
Material type: TextPublication details: Albany : State University of New York Press, (c)2013.Description: 1 online resourceContent type:- text
- computer
- online resource
- 9781461952411
- PS153 .P678 2013
- COPYRIGHT NOT covered - Click this link to request copyright permission: https://lib.ciu.edu/copyright-request-form
Item type | Current library | Collection | Call number | URL | Status | Date due | Barcode | |
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Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) | G. Allen Fleece Library ONLINE | Non-fiction | PS153.5 (Browse shelf(Opens below)) | Link to resource | Available | ocn864139177 |
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Includes bibliographical references.
Postmodernism, traditional cultural forms, and African American subjectivity -- Multiple representations of Philadelphia and John Edgar Wideman's Philadelphia fire -- The trickster, African American virtual subject and Percival Everett's erasure -- Using jazz music and aesthetics to re-describe the African American in Toni Morrison's jazz -- Revolting to sustain psychic life: Bonnie Greer's hanging by her teeth and the encounter with the other -- Virtual-actual reality and Clarence Major's reflex and bone structure -- The Jungian/African collective unconscious, jazz aesthetics, and Xam Cartier's Muse-echo blues -- Conclusion.
"Examines how six writers reconfigure African American subjectivity in ways that recall postmosternist theory"--Provided by publisher.
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