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The creolization of American culture : William Sidney Mount and the roots of blackface minstrelsy / Christopher J. Smith.

By: Material type: TextTextSeries: Publication details: Urbana : University of Illinois Press, (c)2013.Description: 1 online resourceContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780252095047
Subject(s): Genre/Form: LOC classification:
  • ML1711 .C746 2013
Online resources: Available additional physical forms:
Contents:
The creole synthesis in the new world : cultures in contact -- Long Island and the Lower East Side : Mount's background, youth, and apprenticeships -- Minstrelsy's material culture : the evidence of Mount's portraiture -- Melody's polyrhythmic polysemic possibilities : the bodily evidence of Mount's music -- Akimbo culture : dance and the participatory pleasures of the body.
Summary: This work examines the artworks, letters, sketchbooks, music collection, and biography of the painter William Sidney Mount (1807-1868) as a lens through which to see the multi-ethnic antebellum world that gave birth to blackface minstrelsy.
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Holdings
Item type Current library Collection Call number URL Status Date due Barcode
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) G. Allen Fleece Library ONLINE Non-fiction ML1711 (Browse shelf(Opens below)) Link to resource Available ocn861200239

Includes bibliographies and index.

Recovering the creole synthesis : the roots of blackface minstrelsy -- The creole synthesis in the new world : cultures in contact -- Long Island and the Lower East Side : Mount's background, youth, and apprenticeships -- Minstrelsy's material culture : the evidence of Mount's portraiture -- Melody's polyrhythmic polysemic possibilities : the bodily evidence of Mount's music -- Akimbo culture : dance and the participatory pleasures of the body.

This work examines the artworks, letters, sketchbooks, music collection, and biography of the painter William Sidney Mount (1807-1868) as a lens through which to see the multi-ethnic antebellum world that gave birth to blackface minstrelsy.

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