MARC details
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03664cam a2200421 i 4500 |
| 001 - CONTROL NUMBER |
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on1154852121 |
| 003 - CONTROL NUMBER IDENTIFIER |
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OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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20240726105400.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
050418s2006 ilu ob 001 0beng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2019718390 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Description conventions |
rda |
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pn |
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DLC |
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OCLCO |
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WYU |
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DKC |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781283155625 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780252030277 |
| 043 ## - GEOGRAPHIC AREA CODE |
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| Geographic area code |
f-sg--- |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
GV1588 |
| Item number |
.C467 2006 |
| 049 ## - LOCAL HOLDINGS (OCLC) |
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| Holding library |
MAIN |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Castaldi, Francesca, |
| Dates associated with a name |
1964- |
| Relator term |
Author |
| 245 10 - TITLE STATEMENT |
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| Title |
Choreographies of African identities : |
| Remainder of title |
négritude, dance, and the National Ballet of Senegal / |
| Statement of responsibility, etc. |
Francesca Castaldi. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
Urbana ; |
| -- |
Chicago : |
| Name of publisher, distributor, etc. |
University of Illinois Press, |
| Date of publication, distribution, etc. |
(c)2006. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
1 online resource |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media type term |
computer |
| Media type code |
c |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
online resource |
| Carrier type code |
cr |
| Source |
rdacarrier |
| 347 ## - DIGITAL FILE CHARACTERISTICS |
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| File type |
data file |
| Source |
rda |
| 500 ## - GENERAL NOTE |
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| General note |
Originally presented as the author's thesis (doctoral)--University of California, Riverside. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographies and index. |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Introduction : positionality and the choreography of theory -- |
| Title |
The National Ballet of Senegal at a theatre in California -- |
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African dance, Africanist discourse, and negritude -- |
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The National Ballet of Senegal at a theatre in Dakar -- |
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Sabar dances and a women's public sphere -- |
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Tales of betrayals -- |
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The circulation of dances on and off the stage -- |
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Urban ballets and the professionalization of dance -- |
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Exploiting terà nga -- |
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Conclusion : negritude reconsidered. |
| 520 1# - SUMMARY, ETC. |
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| Summary, etc. |
"Structured as a polyrhythmic ensemble, the narrative in Francesca Castaldi's Choreographies of African Identities "sounds" three interrelated interpretations of the work of the National Ballet of Senegal, each interpretation overlapping with the others as the layering of tracks in a music score." "The first interpretative track situates the work of the Ballet in a North American theater, exposing the theatrical and extra-theatrical procedures that collude in racializing the encounter between performers and audiences as that between Black dancers and White spectators." "The second line of analysis examines the work of the National Ballet in relation to Leopold Sedar Senghor's Negritude ideology and cultural politics, engaging in larger debates over African aesthetics, modernity and tradition, globalization, and cultural diversity." "Finally a third interpretative track presents the circulation of dances in the streets, discotheques, and courtyards of Dakar, drawing attention to women dancers' occupation of the urban landscape. In this context, Castaldi explores the agency of women's performance in negotiating Islamic religiosity, gender, and class identities in the dancing circle and the public arena. Taken together, the reading weaves together questions about scholarship, the cross-cultural circulation of performance, national politics, and urban youth culture. Book jacket."--Jacket |
| 530 ## - COPYRIGHT INFORMATION: |
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| COPYRIGHT INFORMATION |
COPYRIGHT NOT covered - Click this link to request copyright permission: |
| Uniform Resource Identifier |
<a href="b">b</a> |
| 610 20 - SUBJECT ADDED ENTRY--CORPORATE NAME |
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| Corporate name or jurisdiction name as entry element |
National Ballet of Senegal. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Dance |
| General subdivision |
Anthropological aspects |
| Geographic subdivision |
Senegal. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Black people |
| General subdivision |
Race identity |
| Geographic subdivision |
Senegal. |
| 655 #1 - INDEX TERM--GENRE/FORM |
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| Genre/form data or focus term |
Electronic Books. |
| 856 40 - ELECTRONIC LOCATION AND ACCESS |
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| Uniform Resource Identifier |
<a href="https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=569961&site=eds-live&custid=s3260518">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=569961&site=eds-live&custid=s3260518</a> |
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Click to access digital title | log in using your CIU ID number and my.ciu.edu password |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Koha item type |
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) |
| DONATED BY: |
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| VENDOR |
EBSCO |
| Classification part |
GV. |
| PUBLICATION YEAR |
2006 |
| LOCATION |
ONLINE |
| REQUESTED BY: |
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NFIC |
| Source of classification or shelving scheme |
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| 994 ## - |
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92 |
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NT |
| 902 ## - LOCAL DATA ELEMENT B, LDB (RLIN) |
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| a |
1 |
| b |
Cynthia Snell |
| c |
1 |
| d |
Cynthia Snell |