MARC details
000 -LEADER |
fixed length control field |
03775cam a2200421 i 4500 |
001 - CONTROL NUMBER |
control field |
ocn812194075 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OCoLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20240726105400.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
080425s2009 ilua obq s001 0deng |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2019718435 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
DLC |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
DLC |
Modifying agency |
YDXCP |
-- |
E7B |
-- |
NT |
-- |
JSTOR |
-- |
P@U |
-- |
IDEBK |
-- |
OCLCF |
-- |
NLGGC |
-- |
EBLCP |
-- |
AGLDB |
-- |
MERUC |
-- |
IOG |
-- |
EZ9 |
-- |
STF |
-- |
VTS |
-- |
WYU |
-- |
LVT |
-- |
A6Q |
-- |
DKC |
-- |
KCP |
-- |
OCLCE |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780252091261 |
Qualifying information |
|
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781283735384 |
042 ## - AUTHENTICATION CODE |
Authentication code |
dlr |
050 00 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
PN1998 |
Item number |
.S255 2009 |
049 ## - LOCAL HOLDINGS (OCLC) |
Holding library |
MAIN |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Fowler, Catherine, |
Dates associated with a name |
1969- |
Relator term |
Author |
245 10 - TITLE STATEMENT |
Title |
Sally Potter /Catherine Fowler. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
Urbana : |
Name of publisher, distributor, etc. |
University of Illinois Press, |
Date of publication, distribution, etc. |
(c)2009. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
1 online resource. |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
computer |
Media type code |
c |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
online resource |
Carrier type code |
cr |
Source |
rdacarrier |
347 ## - DIGITAL FILE CHARACTERISTICS |
File type |
data file |
Source |
rda |
490 1# - SERIES STATEMENT |
Series statement |
Contemporary film directors |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
|
505 00 - FORMATTED CONTENTS NOTE |
Formatted contents note |
London in the 1970s: performance on- and offscreen -- |
Title |
Power plays: Potter's search for a "frame of her own" -- |
-- |
Absent women and tales taken apart: Thriller and the Gold diggers -- |
-- |
Towards pleasure, developing style: Orlando and The tango lesson -- |
-- |
Finally tears: The man who cried and YES -- |
-- |
Endings -- |
-- |
An interview with Sally Potter. |
520 0# - SUMMARY, ETC. |
Summary, etc. |
This survey of Sally Potters work documents and explores her cinematic development from the feminist reworking of Puccinis opera La Boheme in Thriller to the provocative contemplation of romantic relationships after 9/11 in Yes. Catherine Fowler traces a clear trajectory of developing themes and preoccupations and shows how Potter uses song, dance, performance, and poetry to expand our experience of cinema beyond the audiovisual._x000B__x000B_Potter has relentlessly struggled against predictability and safe options, and her work provides an example of the complexities of being a woman in charge. Instead of the quest to find a romantic partner that drives mainstream cinema, Potters films feature characters seeking answers to questions about their sexual, gendered, social, cultural, and ethnic identities. They find answers by retelling stories, investigating mysteries, traveling and interacting with people. At the heart of Potters work we find a concern with the ways in which narrative has circumscribed the actions of women and their ability to act, speak, look, desire, and think for themselves. Her first two films, Thriller and The Gold Diggers, largely deconstruct found stories, cliches, and images. By contrast her later films create new and original narratives that place female acts, voices, looks, desires and thoughts at their center._x000B__x000B_Fowlers analysis is supplemented by a detailed filmography, bibliography, and an extensive interview with the director. |
530 ## - COPYRIGHT INFORMATION: |
COPYRIGHT INFORMATION |
COPYRIGHT NOT covered - Click this link to request copyright permission: |
Uniform Resource Identifier |
<a href="b">b</a> |
538 ## - SYSTEM DETAILS NOTE |
System details note |
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. |
Uniform Resource Identifier |
<a href="http://purl.oclc.org/DLF/benchrepro0212">http://purl.oclc.org/DLF/benchrepro0212</a> |
Institution to which field applies |
MiAaHDL |
583 1# - ACTION NOTE |
Action |
digitized |
Time/date of action |
2012 |
Jurisdiction |
HathiTrust Digital Library |
Status |
committed to preserve |
Source of term |
pda |
Institution to which field applies |
MiAaHDL |
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
Personal name |
Potter, Sally |
General subdivision |
Criticism and interpretation. |
655 #1 - INDEX TERM--GENRE/FORM |
Genre/form data or focus term |
Electronic Books. |
856 40 - ELECTRONIC LOCATION AND ACCESS |
Uniform Resource Identifier |
<a href="https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=569957&site=eds-live&custid=s3260518">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=569957&site=eds-live&custid=s3260518</a> |
-- |
Click to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) |
DONATED BY: |
|
VENDOR |
EBSCO |
Classification part |
PN.. |
PUBLICATION YEAR |
2009 |
LOCATION |
ONLINE |
REQUESTED BY: |
|
-- |
|
-- |
NFIC |
Source of classification or shelving scheme |
|
994 ## - |
-- |
92 |
-- |
NT |
902 ## - LOCAL DATA ELEMENT B, LDB (RLIN) |
a |
1 |
b |
Cynthia Snell |
c |
1 |
d |
Cynthia Snell |