MARC details
000 -LEADER |
fixed length control field |
03382cam a2200397 i 4500 |
001 - CONTROL NUMBER |
control field |
ocn826684864 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OCoLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20240726105354.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
111028s2012 ilua ob 001 0 eng |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2019718188 |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
DLC |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
DLC |
Modifying agency |
YDXCP |
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E7B |
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COO |
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NT |
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IDEBK |
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JSTOR |
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OCLCF |
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P@U |
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EBLCP |
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AZK |
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AGLDB |
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MOR |
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PIFAG |
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MERUC |
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JBG |
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IOG |
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ZCU |
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U3W |
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EZ9 |
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BETBC |
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STF |
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WRM |
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VTS |
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COCUF |
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NRAMU |
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ICG |
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INT |
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VT2 |
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WYU |
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LVT |
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YOU |
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TKN |
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DKC |
-- |
M8D |
-- |
CDX |
016 7# - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER |
Record control number |
016025937 |
Source |
Uk |
043 ## - GEOGRAPHIC AREA CODE |
Geographic area code |
n-usu-- |
050 00 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
ML3187 |
Item number |
.T446 2012 |
049 ## - LOCAL HOLDINGS (OCLC) |
Holding library |
MAIN |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Harrison, Douglas, |
Dates associated with a name |
1975- |
Relator term |
Author |
245 10 - TITLE STATEMENT |
Title |
Then sings my soul : |
Remainder of title |
the culture of southern gospel music / |
Statement of responsibility, etc. |
Douglas Harrison. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
Urbana : |
Name of publisher, distributor, etc. |
University of Illinois Press, |
Date of publication, distribution, etc. |
(c)2012. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
1 online resource. |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
computer |
Media type code |
c |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
online resource |
Carrier type code |
cr |
Source |
rdacarrier |
347 ## - DIGITAL FILE CHARACTERISTICS |
File type |
data file |
Source |
rda |
490 1# - SERIES STATEMENT |
Series statement |
Music in American life |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographies and index. |
505 00 - FORMATTED CONTENTS NOTE |
Formatted contents note |
Introduction : A native informant's report from the field -- |
Title |
Glory bumps, or the psychodynamics of the southern gospel experience -- |
-- |
Nostalgia, modernity, and the reconstruction roots of a tradition -- |
-- |
The rise of "southern" gospel music and the compensations of history -- |
-- |
The gaitherization of contemporary southern gospel -- |
-- |
Southern gospel in the key of queer -- |
-- |
Epilogue : the soul's best song -- |
-- |
List of songs referenced -- |
-- |
Appendix : methods and preliminary findings of a survey of attitudes and beliefs about southern gospel music. |
520 0# - SUMMARY, ETC. |
Summary, etc. |
In this ambitious book on southern gospel music, Douglas Harrison reexamines the music's historical emergence and its function as a modern cultural phenomenon. Rather than seeing the music as a single rhetoric focusing on the afterlife as compensation for worldly sacrifice, Harrison presents southern gospel as a network of interconnected messages that evangelical Christians use to make individual sense of both Protestant theological doctrines and their own lived experiences. Harrison explores how listeners and consumers of southern gospel integrate its lyrics and music into their own religious experience, building up individual--and potentially subversive--meanings beneath a surface of evangelical consensus. Reassessing the contributions of such figures as Aldine Kieffer, James D. Vaughan, and Bill and Gloria Gaither, Then Sings My Soul traces an alternative history of southern gospel in the twentieth century, one that emphasizes the music's interaction with broader shifts in American life beyond the narrow confines of southern gospel's borders. Harrison's discussion includes the "gay-gospel paradox"--The experience of non-heterosexuals in gospel music--as emblematic of fundamentalism's conflict with the postmodern world [Publisher description. |
530 ## - COPYRIGHT INFORMATION: |
COPYRIGHT INFORMATION |
COPYRIGHT NOT covered - Click this link to request copyright permission: |
Uniform Resource Identifier |
<a href="b">b</a> |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Gospel music |
Geographic subdivision |
Southern States |
General subdivision |
History and criticism. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Popular culture |
General subdivision |
Religious aspects. |
655 #1 - INDEX TERM--GENRE/FORM |
Genre/form data or focus term |
Electronic Books. |
856 40 - ELECTRONIC LOCATION AND ACCESS |
Uniform Resource Identifier |
<a href="https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=569570&site=eds-live&custid=s3260518">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=569570&site=eds-live&custid=s3260518</a> |
-- |
Click to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) |
DONATED BY: |
|
VENDOR |
EBSCO |
Classification part |
ML |
PUBLICATION YEAR |
2012 |
LOCATION |
ONLINE |
REQUESTED BY: |
|
-- |
|
-- |
NFIC |
Source of classification or shelving scheme |
|
994 ## - |
-- |
92 |
-- |
NT |
902 ## - LOCAL DATA ELEMENT B, LDB (RLIN) |
a |
1 |
b |
Cynthia Snell |
c |
1 |
d |
Cynthia Snell |