MARC details
000 -LEADER |
fixed length control field |
05075cam a2200433Mi 4500 |
001 - CONTROL NUMBER |
control field |
ocn809032437 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OCoLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20240726105353.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
111107s2012 ilu ob s001 0 eng d |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
CDX |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
CDX |
Modifying agency |
E7B |
-- |
YDXCP |
-- |
IDEBK |
-- |
OCLCO |
-- |
OCLCQ |
-- |
NT |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780252093661 |
Qualifying information |
|
029 1# - OTHER SYSTEM CONTROL NUMBER (OCLC) |
OCLC library identifier |
AU@ |
System control number |
000049050039 |
029 1# - OTHER SYSTEM CONTROL NUMBER (OCLC) |
OCLC library identifier |
NZ1 |
System control number |
14809721 |
050 14 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
PN1995 |
Item number |
.G463 2012 |
049 ## - LOCAL HOLDINGS (OCLC) |
Holding library |
NTA |
245 10 - TITLE STATEMENT |
Title |
Gender meets genre in postwar cinemasedited by Christine Gledhill. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
Urbana : |
Name of publisher, distributor, etc. |
University of Illinois Press, |
Date of publication, distribution, etc. |
(c)2012. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
1 online resource (pages cm.) |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
computer |
Media type code |
c |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
online resource |
Carrier type code |
cr |
Source |
rdacarrier |
347 ## - DIGITAL FILE CHARACTERISTICS |
File type |
data file |
Source |
rda |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographies and index. |
505 00 - FORMATTED CONTENTS NOTE |
Formatted contents note |
Introduction / |
Statement of responsibility |
Christine Gledhill -- |
Title |
Refiguring genre and gender. The genius of genre and ingenuity of women / |
Statement of responsibility |
Jane Gaines -- |
Title |
No fixed address: the women's picture from outrage to blue steel / |
Statement of responsibility |
Pam Cook -- |
Title |
Circulating emotion: race, gender, and genre in Crash / |
Statement of responsibility |
E. Deidre Pribram -- |
Title |
100% pure adrenaline: gender and generic surface in Point break / |
Statement of responsibility |
Luke Collins -- |
Title |
Postfeminism and generic re-inventions. Troubling genre/reconstructing gender / |
Statement of responsibility |
E. Ann Kaplan -- |
Title |
Bodies and genres in transition: girlfight and real women have curves / |
Statement of responsibility |
Yvonne Tasker -- |
Title |
Private femininity, public femininity: tactical aesthetics in the costume film / |
Statement of responsibility |
Samiha Matin -- |
Title |
Generic gleaning: Agnès Varda, documentary, and the art of salvage / |
Statement of responsibility |
Lucy Fischer -- |
Title |
Gender aesthetics in "male" genres. It's a Mann's world? / |
Statement of responsibility |
Adam Segal -- |
Title |
Up close and personal: faces and names in Casualties of war / |
Statement of responsibility |
Deborah Thomas -- |
Title |
Gender hyperbole and the uncanny in the horror film: The shining / |
Statement of responsibility |
Katie Model -- |
Title |
Genre and gender transnational. Emotion, subjectivity, and the limits of desire: melodrama and modernity in Bombay cinema, 1940s-50s / |
Statement of responsibility |
Ira Bhaskar -- |
Title |
Woman, generic aesthetics, and the vernacular: Huangmei opera films from China to Hong Kong / |
Statement of responsibility |
Xiangyang Chen -- |
Title |
Homoeroticism contained: gender and sexual translation in John Woo's Migration to Hollywood / |
Statement of responsibility |
Vicente Rodriguez Ortega -- |
Title |
Generic "trans-ings": between genres, genders, and sexualities. Trash comes home: gender/genre subversion in the films of John Waters / |
Statement of responsibility |
Derek Kane-Meddock -- |
Title |
Femme fatale or lesbian femme: bound in sexual différance / |
Statement of responsibility |
Chris Straayer -- |
Title |
"The gay cowboy movie": queer masculinity on Brokeback Mountain / |
Statement of responsibility |
Steven Cohan. |
520 0# - SUMMARY, ETC. |
Summary, etc. |
This remarkable collection challenges traditional ways of thinking about the relationship between gender and genre, understanding their meeting as a mutually transformative encounter. Responding to postmodernist conceptions of genre and postfeminist theories of gender and sexuality, these essays move beyond the limits of representation. Testing new thinking about genre, gender, and sexuality against closely analyzed films, they explore generic convention as putting into play what our culture makes of us, while finding in genre's repetitions infinite possibilities of cross-generic, cross-gender, cross-sex permutation. At the same time the aesthetic and emotional dimensions of gender and sexuality emerge as elements fueling the dramatic worlds of film genres, producing in the encounter new gendered perceptions, affects, and effects. _x000B__x000B_Recognizing the intensifying transnational context of film production and responding to postcolonial perspectives, this volume includes essays that explore the transformational transactions between gender and genre in the meeting between world-circulating Hollywood generic practices and American independent, European, Indian, and Hong Kong cinemas. Such revised concepts of genre and gender question taken-for-granted relationships between authorship and genre, between center and periphery, and between feminism and generic filmmaking. They consequently rethink the gendering of genres, filmmakers, and their audiences. _x000B__x000B_Contributors are Ira Bhaskar, Steven Cohan, Luke Collins, Pam Cook, Lucy Fischer, Jane Gaines, Christine Gledhill, Derek Kane-Meddock, E. Ann Kaplan, Samiha Matin, Katie Model, E. Deidre Pribram, Vicente Rodriguez Ortega, Adam Segal, Chris Straayer, Yvonne Tasker, Deborah Thomas, and Xiangyang Chen. |
530 ## - COPYRIGHT INFORMATION: |
COPYRIGHT INFORMATION |
COPYRIGHT NOT covered - Click this link to request copyright permission: |
Uniform Resource Identifier |
<a href="b">b</a> |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Sex role in motion pictures. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Motion pictures and women. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Feminism and motion pictures. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Film genres. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Women in motion pictures. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Men in motion pictures. |
655 #1 - INDEX TERM--GENRE/FORM |
Genre/form data or focus term |
Electronic Books. |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Gledhill, Christine. |
856 40 - ELECTRONIC LOCATION AND ACCESS |
Uniform Resource Identifier |
<a href="https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=569522&site=eds-live&custid=s3260518">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=569522&site=eds-live&custid=s3260518</a> |
-- |
Click to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) |
DONATED BY: |
|
VENDOR |
EBSCO |
Classification part |
PN.. |
PUBLICATION YEAR |
2012 |
LOCATION |
ONLINE |
REQUESTED BY: |
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-- |
|
-- |
NFIC |
Source of classification or shelving scheme |
|
994 ## - |
-- |
02 |
-- |
NT |
902 ## - LOCAL DATA ELEMENT B, LDB (RLIN) |
a |
1 |
b |
Cynthia Snell |
c |
1 |
d |
Cynthia Snell |