MARC details
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04951cam a2200553Ii 4500 |
| 001 - CONTROL NUMBER |
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ocn881568340 |
| 003 - CONTROL NUMBER IDENTIFIER |
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OCoLC |
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20240726105252.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
140623s2014 ne a ob 001 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2015302293 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
EBLCP |
| Language of cataloging |
eng |
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pn |
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rda |
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EBLCP |
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NT |
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OCLCO |
| 016 7# - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER |
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| Record control number |
101634817 |
| Source |
DNLM |
| 016 7# - NATIONAL BIBLIOGRAPHIC AGENCY CONTROL NUMBER |
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| Record control number |
016710657 |
| Source |
Uk |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9789401210706 |
| Qualifying information |
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| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9401210705 |
| Qualifying information |
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| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9042038241 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9789042038240 |
| 050 04 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
BF410 |
| Item number |
.C646 2014 |
| 049 ## - LOCAL HOLDINGS (OCLC) |
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| Holding library |
MAIN |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Verstegen, Ian, |
| Relator term |
Author |
| 245 10 - TITLE STATEMENT |
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| Title |
Cognitive iconology : |
| Remainder of title |
when and how psychology explains images / |
| Statement of responsibility, etc. |
Ian Verstegen. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
Amsterdam : |
| Name of publisher, distributor, etc. |
Editions Rodopi, |
| Date of publication, distribution, etc. |
(c)2014. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
1 online resource (188 pages) : |
| Other physical details |
illustrations |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media type term |
computer |
| Media type code |
c |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
online resource |
| Carrier type code |
cr |
| Source |
rdacarrier |
| 347 ## - DIGITAL FILE CHARACTERISTICS |
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| File type |
data file |
| Source |
rda |
| 490 1# - SERIES STATEMENT |
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| Series statement |
Consciousness Literature & the Arts, |
| Volume # |
37 |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Cover; Title Page; Copyright Page; Contents; Preface; Introduction:; Toward a Cognitive Iconology; The New Two Cultures; Cognition + Iconology; Psychology -- |
| Title |
What's to Fear?; Structure of the Book; Chapter 1; Cognitive Iconology: Understanding versus Explanation; Arnheim's Woes; An Example: Cross-Cultural Perception; What does it mean to Explain Something?; Ontological Priority; Epistemic Priority; Against Conflation; Downward Conflation; Separating Sociology from Psychology; The Proper Place of Cultural Analysis; What is Left Over once Society is Extracted?; Upward Conflation. |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Separating Biology from PsychologyThe Proper Place of Biological Analysis; What is Left Over once Biology is Extracted?; Stratified Explanation and Cognitive Glue; Chapter 2; Fiction and Transcription: Two Ecologies of Perception; Linear Perspective; Drawing and the Naive Theory of Mind; Two Ecologies of Perception; The Ecology of Standard Graphic Communication; The Ecology of Transcriptive Perspective; Chapter 3; A Classification of Perspective ""Corrections"" in Images; The Judgment of the Eye; From Prospectiva Naturalis to Good Form; Human Figures; Representing Architecture. |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Relating Space to ViewerCorrections and Distortions; Chapter 4; Presence over Perspective: Portraits-in-Pictures; Curious Images; Perspective and Meta-Painting; Occasions for Portraiture; The Image without Presence; The Image with Presence; Problems of Reality in Virtual Portraits Parallelto the Picture Plane; Presence, Absence and Perspective; Chapter 5; Oblique Images from the Side and Below; The Problem; Discovering Oblique Viewing; The Phenomenon Clarified; Distinguished from Anamorphism; Distinguished from Robust Perspectives; Three Levels of Site-Specificity. |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Viewing Pictures from the SideViewing Pictures from Below; Oblique Perception and Cultural Explanations; Chapter 6; Acting Irrational around Art; Are Objects Alive?; A Real Complementary Solution: Cognitive Glue; Similarity and Contagion; Similarity and Contagion with Images; Witnessing Miraculous Behavior; Iconoclasm; Society: The Focalizer; Conclusion; Cognitive Proclivities for the Study of Art; Tendencies are Not Probabilities; Gestalt Theory as Mediator; Bibliography; Index. |
| 520 0# - SUMMARY, ETC. |
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| Summary, etc. |
Cognitive Iconology is a new theory of the relation of psychology to art. Instead of being an application of psychological principles, it is a methodologically aware account of psychology, art and the nature of explanation. Rather than fight over biology or culture, it shows how they must fit together. The term "cognitive iconology" is meant to mirror other disciplines like cognitive poetics and musicology but the fear that images must be somehow transparent to understanding is calmed by the stratified approach to explanation that is outlined. In the book, cognitive iconology is a theory of co. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographies and index. |
| 530 ## - COPYRIGHT INFORMATION: |
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| COPYRIGHT INFORMATION |
COPYRIGHT NOT covered - Click this link to request copyright permission: |
| Uniform Resource Identifier |
<a href="b">b</a> |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Arts |
| General subdivision |
Psychological aspects. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Psychology and art. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Visual perception. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Humanities. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Perception. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Human information processing. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Art. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Psychology. |
| 655 #1 - INDEX TERM--GENRE/FORM |
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| Genre/form data or focus term |
Electronic Books. |
| 856 40 - ELECTRONIC LOCATION AND ACCESS |
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| Uniform Resource Identifier |
<a href="https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=766274&site=eds-live&custid=s3260518">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=766274&site=eds-live&custid=s3260518</a> |
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Click to access digital title | log in using your CIU ID number and my.ciu.edu password |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Koha item type |
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) |
| DONATED BY: |
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| VENDOR |
EBSCO |
| Classification part |
BF . |
| PUBLICATION YEAR |
2014 |
| LOCATION |
ONLINE |
| REQUESTED BY: |
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NFIC |
| Source of classification or shelving scheme |
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| 994 ## - |
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92 |
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NT |
| 902 ## - LOCAL DATA ELEMENT B, LDB (RLIN) |
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| a |
1 |
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Cynthia Snell |
| c |
1 |
| d |
Cynthia Snell |