MARC details
| 000 -LEADER |
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| fixed length control field |
03573cam a2200361Mi 4500 |
| 001 - CONTROL NUMBER |
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| control field |
on1236267102 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20240726105151.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
210206s2021 ne o 000 0 eng d |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
EBLCP |
| Language of cataloging |
eng |
| Description conventions |
pn |
| -- |
rda |
| Transcribing agency |
EBLCP |
| Modifying agency |
NT |
| -- |
OCLCO |
| -- |
OCLCF |
| -- |
JSTOR |
| -- |
UKAHL |
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DEGRU |
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P@U |
| -- |
OCLCO |
| -- |
YDX |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9048542677 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9789048542673 |
| Qualifying information |
|
| 050 04 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
N5970 |
| Item number |
.A278 2021 |
| 049 ## - LOCAL HOLDINGS (OCLC) |
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| Holding library |
MAIN |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Gertsman, Elina. |
| Relator term |
Author |
| 245 10 - TITLE STATEMENT |
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| Title |
Abstraction in Medieval Art : |
| Remainder of title |
Beyond the Ornament. |
| Statement of responsibility, etc. |
|
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
1 online resource (386 pages) |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media type term |
computer |
| Media type code |
c |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
online resource |
| Carrier type code |
cr |
| Source |
rdacarrier |
| 347 ## - DIGITAL FILE CHARACTERISTICS |
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| File type |
data file |
| Source |
rda |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographies and index. |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Title |
Frontmatter -- |
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Table of Contents -- |
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Acknowledgments -- |
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Illustrations -- |
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Preface: Withdrawal and Presence -- |
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Part I Abstraction / |
| Statement of responsibility |
Aporia / |
| -- |
Unknowability -- |
| Title |
1. Colour as Subject -- |
| -- |
2. Abstraction's Gothic Grounds -- |
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3. Abstraction in the Kennicott Bible -- |
| -- |
4. Back-to-Front: Abstraction and Figuration in Bosch's Visions of the Hereafter -- |
| -- |
Part II Abstraction / |
| Statement of responsibility |
Figuration / |
| -- |
Signification -- |
| Title |
5. The Painted Logos: Abstraction as Exegesis in the Ashburnham Pentateuch -- |
| -- |
6. The Sign within the Form, the Form without the Sign: Monograms and Pseudo- Monograms as Abstractions in Mozarabic Antiphonaries -- |
| -- |
7. Ornament and Abstraction: A New Approach to Understanding Ornamented Writing in the Making of Illuminated Manuscripts around 1000 -- |
| -- |
8. The Double-Sided Image: Abstraction and Figuration in Early Medieval Painting -- |
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Part III Abstraction / |
| Statement of responsibility |
Epistemology / |
| -- |
Perception -- |
| Title |
9. Birds of Defiance: Jewelled Resistance to Modern Abstractions -- |
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10. Early Romanesque Abstraction and the 'Unconditionally Two-dimensional Surface' -- |
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11. Functional Abstraction in Medieval Anatomical Diagrams -- |
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12. Imaging Perfection(s) in Hebrew Illuminated Manuscripts -- |
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13. Response: Astral Abstraction -- |
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14. Coda: Carolingian Art As Conceptual Art -- |
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Index |
| 520 0# - SUMMARY, ETC. |
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| Summary, etc. |
Abstraction haunts medieval art, both withdrawing figuration and suggesting elusive presence. How does it make or destroy meaning in the process? Does it suggest the failure of figuration, the faltering of iconography? Does medieval abstraction function because it is imperfect, incomplete, and uncorrected-and therefore cognitively, visually demanding? Is it, conversely, precisely about perfection? To what extent is the abstract predicated on theorization of the unrepresentable and imperceptible? Does medieval abstraction pit aesthetics against metaphysics, or does it enrich it, or frame it, or both? Essays in this collection explore these and other questions that coalesce around three broad themes: medieval abstraction as the untethering of image from what it purports to represent, abstraction as a vehicle for signification, and abstraction as a form of figuration. Contributors approach the concept of medieval abstraction from a multitude of perspectives-formal, semiotic, iconographic, material, phenomenological, epistemological. |
| 530 ## - COPYRIGHT INFORMATION: |
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| COPYRIGHT INFORMATION |
COPYRIGHT NOT covered - Click this link to request copyright permission: |
| Uniform Resource Identifier |
<a href="b">b</a> |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Art, Medieval. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Abstraction. |
| 655 #1 - INDEX TERM--GENRE/FORM |
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| Genre/form data or focus term |
Electronic Books. |
| 856 40 - ELECTRONIC LOCATION AND ACCESS |
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| Uniform Resource Identifier |
<a href="https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2739606&site=eds-live&custid=s3260518">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2739606&site=eds-live&custid=s3260518</a> |
| -- |
Click to access digital title | log in using your CIU ID number and my.ciu.edu password |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Koha item type |
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) |
| DONATED BY: |
|
| VENDOR |
EBSCO |
| Classification part |
N |
| PUBLICATION YEAR |
2021 |
| LOCATION |
ONLINE |
| REQUESTED BY: |
|
| -- |
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NFIC |
| Source of classification or shelving scheme |
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| 994 ## - |
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| -- |
92 |
| -- |
NT |
| 902 ## - LOCAL DATA ELEMENT B, LDB (RLIN) |
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| a |
1 |
| b |
Cynthia Snell |
| c |
1 |
| d |
Cynthia Snell |