The Making of a Caribbean Avant-Garde (Record no. 90958)

MARC details
000 -LEADER
fixed length control field 04349cam a2200457Mi 4500
001 - CONTROL NUMBER
control field on1181916915
003 - CONTROL NUMBER IDENTIFIER
control field OCoLC
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20240726105146.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 200618s2020 inu o 000 0 eng d
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
Canceled/invalid LC control number 2020940866
040 ## - CATALOGING SOURCE
Original cataloging agency P@U
Language of cataloging eng
Description conventions rda
Transcribing agency P@U
Modifying agency OCLCO
-- EBLCP
-- YDX
-- YDXIT
-- NT
-- JSTOR
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781557539359
043 ## - GEOGRAPHIC AREA CODE
Geographic area code cc-----
050 04 - LIBRARY OF CONGRESS CALL NUMBER
Classification number N6591
Item number .M355 2020
049 ## - LOCAL HOLDINGS (OCLC)
Holding library MAIN
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Hadchity, Therese Kaspersen,
Dates associated with a name 1963-
Relator term Author
245 10 - TITLE STATEMENT
Title The Making of a Caribbean Avant-Garde
Remainder of title Postmodernism as Post-nationalism /
Statement of responsibility, etc. Therese Kaspersen Hadchity.
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. West Lafayette :
Name of publisher, distributor, etc. Purdue University Press,
Date of publication, distribution, etc. (c)2020.
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Baltimore, Md. :
Name of publisher, distributor, etc. Project MUSE,
Date of publication, distribution, etc. 0000.
300 ## - PHYSICAL DESCRIPTION
Extent 1 online resource (pages cm).
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term computer
Media type code c
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term online resource
Carrier type code cr
Source rdacarrier
347 ## - DIGITAL FILE CHARACTERISTICS
File type data file
Source rda
490 1# - SERIES STATEMENT
Series statement Comparative cultural studies
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographies and index.
520 0# - SUMMARY, ETC.
Summary, etc. "Focusing on the Anglophone Caribbean, The Making of a Caribbean Avant-Garde describes the rise and gradual consolidation of the visual arts avant-garde, which came to local and international attention in the 1990s. The book is centered on the critical and aesthetic strategies employed by this avant-garde to repudiate the previous generation's commitment to modernism and anti-colonialism. In three sections, it highlights the many converging factors, which have pushed this avant-garde to the forefront of the region's contemporary scene, and places it all in the context of growing dissatisfaction with the post-colonial state and its cultural policies. This generational transition has manifested itself not only in a departure from "traditional" in favor of "new" media (i.e., installation, performance, and video rather than painting and sculpture), but also in the advancement of a "post-nationalist postmodernism," which reaches for diasporic and cosmopolitan frames of reference. Section one outlines the features of a preceding "Creole modernism" and explains the different guises of post-nationalism in the region's contemporary art. In section two, its momentum is connected to the proliferation of independent art spaces and transnational networks, which connect artists across and beyond the region and open up possibilities unavailable to earlier generations. Section three demonstrates the impact of this conceptual and organizational evolution on the selection and exhibition of Caribbean art in the metropole. The Making of a Caribbean Avant-Garde is a case study in post-colonial cultural dynamics. It delivers an engaged and polemic portrayal of a generational and critical transition, which has brought a segment of the Anglophone Caribbean arts community together and successfully drawn it into the international arena, but which also, it is argued, has problematic political corollaries"--
Assigning source
505 00 - FORMATTED CONTENTS NOTE
Formatted contents note Cover --
Title THE MAKING OF A CARIBBEAN AVANT-GARDE --
-- Title --
-- Copyright --
-- CONTENTS --
-- Preface --
-- INTRODUCTION --
-- SECTION 1: DISCOURSE --
-- CHAPTER 1 Shaping Up the Past: The Critique of Cultural Nationalism --
-- CHAPTER 2 The Next Generation --
-- CHAPTER 3 Diasporic Connections --
-- SECTION 2: SPACES --
-- CHAPTER 4 The Origin of Alternative Spaces, the Troubled Museum and Cultural Policy in the Caribbean --
-- CHAPTER 5 Three Spaces in Context --
-- CHAPTER 6 Stronger Together: The Creative Network --
-- SECTION 3: ENCOUNTERS --
-- CHAPTER 7 Through the Eye of the Needle
505 00 - FORMATTED CONTENTS NOTE
Formatted contents note CHAPTER 8 The Caribbean Contemporary in the United States --
Title CHAPTER 9 Three Barbadian Artists and Their 'National Situation' --
-- Afterword --
-- Notes --
-- Bibliography --
-- Index --
-- About the Author
530 ## - COPYRIGHT INFORMATION:
COPYRIGHT INFORMATION COPYRIGHT NOT covered - Click this link to request copyright permission:
Uniform Resource Identifier <a href="b">b</a>
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Art
Geographic subdivision Caribbean Area.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Avant-garde (Aesthetics)
Geographic subdivision Caribbean Area.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Art, Caribbean
Chronological subdivision 20th century.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Art, Caribbean
Chronological subdivision 21st century.
655 #1 - INDEX TERM--GENRE/FORM
Genre/form data or focus term Electronic Books.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Project Muse.
Relator term
856 40 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2519574&site=eds-live&custid=s3260518">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2519574&site=eds-live&custid=s3260518</a>
-- Click to access digital title | log in using your CIU ID number and my.ciu.edu password
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)
DONATED BY:
VENDOR EBSCO
Classification part N
PUBLICATION YEAR 2020
LOCATION ONLINE
REQUESTED BY:
--
-- NFIC
Source of classification or shelving scheme
994 ## -
-- 92
-- NT
902 ## - LOCAL DATA ELEMENT B, LDB (RLIN)
a 1
b Cynthia Snell
c 1
d Cynthia Snell
Holdings
Withdrawn status Lost status Damaged status Not for loan Collection Home library Current library Shelving location Date acquired Source of acquisition Total Checkouts Full call number Barcode Date last seen Uniform Resource Identifier Price effective from Koha item type
        Non-fiction G. Allen Fleece Library G. Allen Fleece Library ONLINE 07/07/2023 EBSCO   N6591 on1181916915 07/07/2023 https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2519574&site=eds-live&custid=s3260518 07/07/2023 Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD)