MARC details
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05763cam a22004338i 4500 |
| 001 - CONTROL NUMBER |
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on1162192517 |
| 003 - CONTROL NUMBER IDENTIFIER |
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OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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20240726105146.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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200406s2021 inu ob 001 0 spa |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2020006706 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
DLC |
| Modifying agency |
OCLCO |
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NT |
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P@U |
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OCLCF |
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EBLCP |
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OCLCO |
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JSTOR |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781557539885 |
| Qualifying information |
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| 042 ## - AUTHENTICATION CODE |
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| Authentication code |
pcc |
| 043 ## - GEOGRAPHIC AREA CODE |
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| Geographic area code |
nwcu--- |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
PN1993 |
| Item number |
.N467 2021 |
| 049 ## - LOCAL HOLDINGS (OCLC) |
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| Holding library |
MAIN |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Valecce, Anastasia, |
| Dates associated with a name |
1980- |
| Relator term |
Author |
| 245 10 - TITLE STATEMENT |
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| Title |
Neorrealismo y cine en Cuba : |
| Remainder of title |
historia y discurso entorno a la primera polémica de la Revolución (1951-1962) / |
| Statement of responsibility, etc. |
Anastasia Valecce. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
1 online resource. |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media type term |
computer |
| Media type code |
c |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
online resource |
| Carrier type code |
cr |
| Source |
rdacarrier |
| 347 ## - DIGITAL FILE CHARACTERISTICS |
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| File type |
data file |
| Source |
rda |
| 490 1# - SERIES STATEMENT |
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| Series statement |
Purdue Studies in Romance Literatures ; |
| Volume # |
v.80 |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographies and index. |
| 520 0# - SUMMARY, ETC. |
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| Summary, etc. |
"Neorrealismo y cine en Cuba: Historia y discurso entorno a la primera polémica de la Revolución, 1951-1962 [Neorealism and Cinema in Cuba: History and Discourse on the First Polemic of the Revolution, 1951-1962. examines the aesthetic history and relations between Cuban film production and Italian Neorealism. The historical framework begins in 1951 before the triumph of the Cuban Revolution and ends in 1962, a year that marks a rupture between Cuban filmmakers and the Italian neorealist aesthetic. The main collaborations happened between Cuban directors Tomás Gutiérrez Alea and Julio García Espinosa and Italian neorealist filmmaker Cesare Zavattini. The circumstances that led to the end of the relationship between Zavattini and the Cuban filmmakers are connected to the film El joven rebelde [The Young Rebel], directed by García Espinosa and screened for the first time in 1961. The rupture centered on creative and ideological differences regarding the way in which the protagonist was to be portrayed in the movie. This seemingly minor disagreement had considerably larger repercussions, the end result of which was that García Espinosa and Gutiérrez Alea, as well as the rest of the Cuban filmmakers who worked within the Instituto Cubano del Arte e Industria Cinematográficos (ICAIC) after 1959, were driven to find their own creative strategies to craft a national film production. However, the Cuban filmmakers would not have found the necessary grammar to rewrite their own revolutionary cinema without the rupture with Zavattini. This new cinematographic language could not have existed without the various pauses and the distances that characterized the Cuban relationship with Neorealism. In other words, the fragmentary interchange between García Espinosa, Gutierrez Alea, and Zavattini created new spaces in which the Cubans could find creative opportunities to express their own cinematic vision"-- |
| Assigning source |
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| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Cover -- |
| Title |
NEORREALISMO Y CINE EN CUBA -- |
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Title -- |
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Copyright -- |
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Dedication -- |
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Índice -- |
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Agradecimientos -- |
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Introducción El proyecto -- |
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Sobre el neorealismo italiano -- |
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El neorrealismo italiano en Cuba -- |
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Cronología -- |
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Las películas cubanas -- |
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La ruptura -- |
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Estructura, metodología y conceptos teóricos -- |
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Desglose de los capítulos -- |
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Capítulo uno El neorrealismo italiano y sus divergencias -- |
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Un conjunto de voces -- |
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El contexto histórico-social -- |
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¿Continuidad o ruptura? -- |
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Filmografía y revistas neorrealistas -- |
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Una estética cambiante -- |
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Capítulo dos Zavattini transatlántico |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
El aire se mide en "Za" -- |
| Title |
La producción zavattiniana en Italia -- |
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Zavattini y el neorrealismo -- |
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Zavattini en Cuba -- |
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¿Za transatlántico o una estética transatlántica? -- |
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Capítulo tres Entre el espectáculo, la propaganda y la realidad: El neorrealismo italiano según Julio García Espinosa y Tomás Gutiérrez Alea -- |
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Coordenadas -- |
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Tomás Gutiérrez Alea -- |
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El valor de las conversaciones epistolares -- |
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Las cartas -- |
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Julio García Espinosa -- |
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Conclusiones -- |
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Capítulo cuatro La imaginación de la Revolución en pantalla: Sogno di Giovanni Bassain y El Mégano |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Imaginando nuevas posibilidades narrativas en la era prerrevolucionaria -- |
| Title |
El sueño de Titón -- |
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Sogno di Giovanni Bassain -- |
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El análisis fílmico -- |
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La imaginación desde Giovanni a Titón -- |
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La Revolución en 16mm.: el caso de El Mégano -- |
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Los escritos acerca de El Mégano -- |
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Sobre el proyecto -- |
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La película -- |
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Conclusiones -- |
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Capítulo cinco Por un cine "neorrealísticamente" (im)perfecto: Historias de la Revolución y El joven rebelde -- |
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La Revolución en pantalla -- |
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Historias de la Revolución -- |
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Un análisis de los episodios: "El herido," "Rebeldes" y "Santa Clara" |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Historias de un espacio problemático -- |
| Title |
El joven rebelde -- |
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Las cartas (de unos jóvenes rebeldes) -- |
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Un libro rebelde -- |
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La película -- |
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Conclusiones -- |
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Conclusión Trayectorias futuras -- |
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Sobre las trayectorias -- |
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Primeros pasos -- |
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Organización del texto -- |
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Más allá de los límites -- |
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De la práctica a la teoría -- |
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Trayectorias futuras -- |
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Neorrealismo a lo cubano -- |
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Notas -- |
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Bibliografía -- |
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Filmografía -- |
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Índice alfabético -- |
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About the book -- |
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About the author |
| 530 ## - COPYRIGHT INFORMATION: |
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| COPYRIGHT INFORMATION |
COPYRIGHT NOT covered - Click this link to request copyright permission: |
| Uniform Resource Identifier |
<a href="b">b</a> |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Motion pictures |
| Geographic subdivision |
Cuba |
| General subdivision |
History |
| Chronological subdivision |
20th century. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Realism in motion pictures. |
| 655 #1 - INDEX TERM--GENRE/FORM |
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| Genre/form data or focus term |
Electronic Books. |
| 856 40 - ELECTRONIC LOCATION AND ACCESS |
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| Uniform Resource Identifier |
<a href="https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2519569&site=eds-live&custid=s3260518">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2519569&site=eds-live&custid=s3260518</a> |
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Click to access digital title | log in using your CIU ID number and my.ciu.edu password |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Koha item type |
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) |
| DONATED BY: |
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| VENDOR |
EBSCO |
| Classification part |
PN.. |
| PUBLICATION YEAR |
2021 |
| LOCATION |
ONLINE |
| REQUESTED BY: |
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NFIC |
| Source of classification or shelving scheme |
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| 994 ## - |
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92 |
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NT |
| 902 ## - LOCAL DATA ELEMENT B, LDB (RLIN) |
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| a |
1 |
| b |
Cynthia Snell |
| c |
1 |
| d |
Cynthia Snell |