MARC details
000 -LEADER |
fixed length control field |
05149cam a2200409Ki 4500 |
001 - CONTROL NUMBER |
control field |
on1156060224 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OCoLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20240726105145.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
200601s2020 pauaf ob 001 0 eng d |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
NT |
Language of cataloging |
eng |
Description conventions |
rda |
-- |
pn |
Transcribing agency |
NT |
Modifying agency |
YDX |
-- |
JSTOR |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781684481569 |
Qualifying information |
|
043 ## - GEOGRAPHIC AREA CODE |
Geographic area code |
n-us--- |
050 04 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
NX512 |
Item number |
.A375 2020 |
049 ## - LOCAL HOLDINGS (OCLC) |
Holding library |
MAIN |
245 10 - TITLE STATEMENT |
Title |
African American arts : |
Remainder of title |
activism, aesthetics, and futurity / |
Statement of responsibility, etc. |
edited by Sharrell D. Luckett. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
Lewisburg, Pennsylvania : |
Name of publisher, distributor, etc. |
Bucknell University Press, |
Date of publication, distribution, etc. |
(c)2020. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
1 online resource (xiii, 323 pages, 5 unnumbered pages of plates) : |
Other physical details |
color illustrations. |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
computer |
Media type code |
c |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
online resource |
Carrier type code |
cr |
Source |
rdacarrier |
347 ## - DIGITAL FILE CHARACTERISTICS |
File type |
data file |
Source |
rda |
490 1# - SERIES STATEMENT |
Series statement |
The Griot project |
500 ## - GENERAL NOTE |
General note |
Essays and presentations primarily prepared for The Griot Institute for Africana Studies' convening on African-American art, activism, and aesthetics held in fall 2016 at Bucknell University in Lewisburg, PA. |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographies and index. |
505 00 - FORMATTED CONTENTS NOTE |
Statement of responsibility |
Carmen Gillespie -- |
-- |
Carrie Mae Weems -- |
Title |
African American Arts in Action / |
Statement of responsibility |
Sharrell D. Luckett -- |
Title |
Bodies of Activism. -- |
-- |
Trans Identity as Embodied Afrofuturism / |
Statement of responsibility |
Amber Johnson -- |
Title |
Designing Our Freedom: Toward a New Discourse on Fashion as a Strategy for Self-Liberation / |
Statement of responsibility |
Rikki Byrd -- |
Title |
Pearl Primus's Choreo-Activism: 1943-1949 / |
Statement of responsibility |
Doria E. Charlson -- |
Title |
Performing New Nationalism/Performing a Living Culture: Josefina Báez's Dominicanish / |
Statement of responsibility |
Florencia V. Cornet -- |
Title |
Ethnicity, Ethicalness, Excellence: Armond White's All-American Humanism / |
Statement of responsibility |
Daniel McNeil -- |
Title |
Race and History on the Operatic Stage: Caterina jarboro Sings Aida / |
Statement of responsibility |
Lucy Caplan -- |
Title |
Music and Visual Art as Activism. -- |
-- |
"I Am Basquiat": Tracing Jean-Michel Basquiat's Alterity and Activism in Paint and Performance / |
Statement of responsibility |
Genevieve Hyacinthe -- |
Title |
"I Luh God" : Erica Campbell, Trap Gospel and the Moral Mask of Language Discrimination / |
Statement of responsibility |
Sammantha McCalla -- |
Title |
The Hidden Code of the Kongo Cosmogram in African American Art and Culture / |
Statement of responsibility |
Nettrice R. Gaskins -- |
Title |
From Baldwin to Beyoncé: Exploring the Responsibility of the Artist in Society---Re-envisioning the Black Female Sonic Artist as Citizen / |
Statement of responsibility |
Abby Dobson -- |
Title |
Slaying "Formation": A Queering of Black Radical Tradition / |
Statement of responsibility |
J. Michael Kinsey -- |
Title |
Institutions of Activism. -- |
-- |
Centering Blackness through Performance in Every 28 Hours / |
Statement of responsibility |
Shondrika Moss-Bouldin -- |
Title |
Dancing for Justice Philadelphia: Embodiment, Dance, and Social Change / |
Statement of responsibility |
Julie B. Johnson -- |
Title |
A conversation with Freddie Hendricks of the Freddie Hendricks Youth Ensemble of Atlanta / |
Statement of responsibility |
Sharrell D. Luckett -- |
Title |
The Conciliation Project as a Social Experiment : Behind the Mask of Uncle Tom-ism and the Performance of Blackness / |
Statement of responsibility |
Jasmine Coles and Tawnya Pettiford-Wates -- |
Title |
Blackballin' : a Play / |
Statement of responsibility |
by Rickerby Hinds. |
520 0# - SUMMARY, ETC. |
Summary, etc. |
"Signaling recent activist and aesthetic concepts in the work of Kara Walker, Childish Gambino, BLM, Janelle Monáe, and Kendrick Lamar, and marking the exit of the Obama Administration and the opening of the National Museum of African American History and Culture, this anthology explores the role of African American arts in shaping the future, and further informing new directions we might take in honoring and protecting the success of African Americans in the U.S. The essays in African American Arts: Activism, Aesthetics, and Futurity engage readers in critical conversations by activists, scholars, and artists reflecting on national and transnational legacies of African American activism as an element of artistic practice, particularly as they concern artistic expression and race relations, and the intersections of creative processes with economic, sociological, and psychological inequalities. Scholars from the fields of communication, theater, queer studies, media studies, performance studies, dance, visual arts, and fashion design, to name a few, collectively ask: What are the connections between African American arts, the work of social justice, and creative processes? If we conceive the arts as critical to the legacy of Black activism in the United States, how can we use that construct to inform our understanding of the complicated intersections of African American activism and aesthetics? How might we as scholars and creative thinkers further employ the arts to envision and shape a verdant society?"-- |
Assigning source |
|
530 ## - COPYRIGHT INFORMATION: |
COPYRIGHT INFORMATION |
COPYRIGHT NOT covered - Click this link to request copyright permission: |
Uniform Resource Identifier |
<a href="b">b</a> |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
African American arts |
General subdivision |
Political aspects. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Arts and society |
Geographic subdivision |
United States. |
655 #1 - INDEX TERM--GENRE/FORM |
Genre/form data or focus term |
Electronic Books. |
700 1# - ADDED ENTRY--PERSONAL NAME |
Personal name |
Luckett, Sharrell D., |
Relator term |
|
711 2# - ADDED ENTRY--MEETING NAME |
Meeting name or jurisdiction name as entry element |
African-American Arts : Activism and Aesthetics (Conference) |
Location of meeting |
Bucknell University) |
856 40 - ELECTRONIC LOCATION AND ACCESS |
Uniform Resource Identifier |
<a href="https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2489371&site=eds-live&custid=s3260518">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2489371&site=eds-live&custid=s3260518</a> |
-- |
Click to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) |
DONATED BY: |
|
VENDOR |
EBSCO |
Classification part |
NX.. |
PUBLICATION YEAR |
2020 |
LOCATION |
ONLINE |
REQUESTED BY: |
|
-- |
|
-- |
NFIC |
Source of classification or shelving scheme |
|
994 ## - |
-- |
92 |
-- |
NT |
902 ## - LOCAL DATA ELEMENT B, LDB (RLIN) |
a |
1 |
b |
Cynthia Snell |
c |
1 |
d |
Cynthia Snell |