MARC details
| 000 -LEADER |
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| fixed length control field |
03098cam a2200445Ii 4500 |
| 001 - CONTROL NUMBER |
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| control field |
on1089018056 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20240726105119.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
190302s2018 gw ob 001 0 eng d |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
EBLCP |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
EBLCP |
| Modifying agency |
MERUC |
| -- |
NT |
| -- |
NHM |
| -- |
YDX |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9783825378530 |
| Qualifying information |
|
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
3825378535 |
| Qualifying information |
|
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
3825369560 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9783825369569 |
| 043 ## - GEOGRAPHIC AREA CODE |
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| Geographic area code |
n-us--- |
| 050 04 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
ML200 |
| Item number |
.W457 2018 |
| 049 ## - LOCAL HOLDINGS (OCLC) |
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| Holding library |
MAIN |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Gail, Dorothea, |
| Relator term |
Author |
| 245 10 - TITLE STATEMENT |
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| Title |
Weird American music : |
| Remainder of title |
case studies of Underground Resistance, BarlowGirl, Jackalope, Charles Ives, and Waffle House Music / |
| Statement of responsibility, etc. |
Dorothea Gail. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
Heidelberg : |
| Name of publisher, distributor, etc. |
Universitätsverlag Winter, |
| Date of publication, distribution, etc. |
(c)2018. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
1 online resource (413 pages). |
| 336 ## - CONTENT TYPE |
|---|
| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media type term |
computer |
| Media type code |
c |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
online resource |
| Carrier type code |
cr |
| Source |
rdacarrier |
| 347 ## - DIGITAL FILE CHARACTERISTICS |
|---|
| File type |
data file |
| Source |
rda |
| 490 1# - SERIES STATEMENT |
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| Series statement |
American Studies - A Monograph Series, |
| Volume # |
volume 299 |
| 500 ## - GENERAL NOTE |
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| General note |
Habilitation--Johannes Gutenberg-Universität Mainz, 2017. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographies and index. |
| 520 0# - SUMMARY, ETC. |
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| Summary, etc. |
"The author takes Greil Marcus's capacious category of 'weirdness' in new directions to examine a tension in certain expressions of American music and music communities since the 1980s. It locates this tension in the space between the artists' striving for authenticity in the values they want to communicate on the one hand, and the demands of the marketplace on the other. The results are 'weird' in both the economic and artistic sense. The book follows five different case studies: Underground Resistance, BarlowGirl, Jackalope, the latter-day reception of Charles Ives, and Waffle House Music. All have struggled against co-optation, and arguably faced defeat in their efforts to stay authentic during an era in which lifestyle and ethnicity have become commodified, and both religious and humanistic values have become products."--Provided by publisher. |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Underground Resistance: "They Keep Calling Me": Ghosts, Post-Collapse Resistance, and the African American Imaginary in Detroit Techno -- |
| Title |
BarlowGirl: Warrior virgins and the therapeutic family in Chicago Christian rock -- |
| -- |
Jackalope: R. Carlos Nakai, Larry Yáñez, and the ironies of Southwestern hybridity -- |
| -- |
Charles Ives: The reception of a New England hero and the classical music cult -- |
| -- |
Waffle House music: Advertising as Southern folk art -- |
| -- |
Conclusion: fade out. |
| 530 ## - COPYRIGHT INFORMATION: |
|---|
| COPYRIGHT INFORMATION |
COPYRIGHT NOT covered - Click this link to request copyright permission: |
| Uniform Resource Identifier |
<a href="b">b</a> |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Music |
| Geographic subdivision |
United States |
| Chronological subdivision |
20th century |
| General subdivision |
History and criticism. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Popular music |
| Geographic subdivision |
United States |
| General subdivision |
History and criticism. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Folk music |
| Geographic subdivision |
United States |
| General subdivision |
History and criticism. |
| 655 #1 - INDEX TERM--GENRE/FORM |
|---|
| Genre/form data or focus term |
Electronic Books. |
| 856 40 - ELECTRONIC LOCATION AND ACCESS |
|---|
| Uniform Resource Identifier |
<a href="https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2030712&site=eds-live&custid=s3260518">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2030712&site=eds-live&custid=s3260518</a> |
| -- |
Click to access digital title | log in using your CIU ID number and my.ciu.edu password |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Koha item type |
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) |
| DONATED BY: |
|
| VENDOR |
EBSCO |
| Classification part |
ML. |
| PUBLICATION YEAR |
2018 |
| LOCATION |
ONLINE |
| REQUESTED BY: |
|
| -- |
|
| -- |
NFIC |
| Source of classification or shelving scheme |
|
| 994 ## - |
|---|
| -- |
92 |
| -- |
NT |
| 902 ## - LOCAL DATA ELEMENT B, LDB (RLIN) |
|---|
| a |
1 |
| b |
Cynthia Snell |
| c |
1 |
| d |
Cynthia Snell |