MARC details
| 000 -LEADER |
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| fixed length control field |
03704cam a2200397Ii 4500 |
| 001 - CONTROL NUMBER |
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| control field |
on1052520638 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OCoLC |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20240726105102.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
180914t20182018kyu ob s001 0beng d |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
YDX |
| Language of cataloging |
eng |
| Description conventions |
rda |
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pn |
| Transcribing agency |
YDX |
| Modifying agency |
P@U |
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JSTOR |
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EBLCP |
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NT |
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TFW |
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OCLCF |
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OTZ |
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AU@ |
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OCL |
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OCLCQ |
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RECBK |
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OCLCQ |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780813175966 |
| Qualifying information |
|
| 043 ## - GEOGRAPHIC AREA CODE |
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| Geographic area code |
n-us--- |
| 050 04 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
PN1998 |
| Item number |
.C537 2018 |
| 049 ## - LOCAL HOLDINGS (OCLC) |
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| Holding library |
MAIN |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Young, Gwenda, |
| Relator term |
Author |
| 245 10 - TITLE STATEMENT |
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| Title |
Clarence Brown : |
| Remainder of title |
Hollywood's forgotten master / |
| Statement of responsibility, etc. |
Gwenda Young ; foreword by Kevin Brownlow. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
Lexington, Kentucky : |
| Name of publisher, distributor, etc. |
The University Press of Kentucky, |
| Date of publication, distribution, etc. |
(c)2018. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
1 online resource |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media type term |
computer |
| Media type code |
c |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
online resource |
| Carrier type code |
cr |
| Source |
rdacarrier |
| 347 ## - DIGITAL FILE CHARACTERISTICS |
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| File type |
data file |
| Source |
rda |
| 490 1# - SERIES STATEMENT |
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| Series statement |
Screen classics |
| 505 00 - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
A Brown boy -- |
| Title |
The master's apprentice -- |
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Brown goes to war ... and returns to Tourneur -- |
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Striking out : the light in the dark and Don't Marry for Money -- |
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Early years at Universal -- |
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Brown and the Universal women -- |
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Brown at United Artists -- |
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Brown meets Garbo : flesh and the devil -- |
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On the trail of '98 -- |
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An "uplifting" film : adapting The Green Hat -- |
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Transition to sound : Wonder of Women and Navy Blues -- |
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A year with Garbo -- |
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Starmaker -- |
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Devotion and deceit : Emma and Letty Lynton -- |
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Service and passion -- |
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Back with Crawford -- |
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Reunited : Garbo, Brown, and Anna Karenina -- |
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Going home : Ah Wilderness! -- |
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Back to the formula : Wife vs. Secretary, The Gorgeous Hussy, and Love on the Run -- |
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Conquest -- |
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A little piece of humanity : Of Human Hearts -- |
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Foreign affairs : Idiot's Delight and The Rains Came -- |
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Inventions and conventions : Edison the Man, Come Live with Me, and They Met in Bombay -- |
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Representing the war front at Home and Away : The Human Comedy and The White Cliffs of Dover -- |
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Velvet and the pie : National Velvet -- |
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A year with The Yearling -- |
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Songs and the South : Song of Love and Intruder in the Dust -- |
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The twilight of a career -- |
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Slow fade-out : Brown in retirement. |
| 520 0# - SUMMARY, ETC. |
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| Summary, etc. |
"Gwenda Young's "Clarence Brown: Hollywood's Forgotten Master" is an in-depth analysis of the life and films of Clarence Brown. After tracing Brown's lineage from hardworking parents and resilient grandparents, it presents his films in a way that captures and holds readers' attention. It approaches Brown the director from a unique perspective, deriving information from interviews, books, newspapers, and obituaries. Each film is described in detail, including how it was made, how the actors and crew felt about the piece, how the film influenced Brown's growth as a director, and how the film contributed to Hollywood and tied in to current issues of the day. The book discusses the political, racial, gender, and social attributes Clarence Brown saw in others and in himself across the span of five decades. Brown's place within the Golden Age of Hollywood and his collaborations with key stars are also examined"-- |
| Assigning source |
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| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographies and index. |
| 530 ## - COPYRIGHT INFORMATION: |
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| COPYRIGHT INFORMATION |
COPYRIGHT NOT covered - Click this link to request copyright permission: |
| Uniform Resource Identifier |
<a href="b">b</a> |
| 600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Brown, Clarence, |
| Dates associated with a name |
1890-1987. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Motion picture producers and directors |
| Geographic subdivision |
United States |
| Form subdivision |
Biography. |
| 655 #1 - INDEX TERM--GENRE/FORM |
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| Genre/form data or focus term |
Electronic Books. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Brownlow, Kevin, |
| Relator term |
|
| 856 40 - ELECTRONIC LOCATION AND ACCESS |
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| Uniform Resource Identifier |
<a href="https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1803955&site=eds-live&custid=s3260518">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1803955&site=eds-live&custid=s3260518</a> |
| -- |
Click to access digital title | log in using your CIU ID number and my.ciu.edu password |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Koha item type |
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) |
| DONATED BY: |
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| VENDOR |
EBSCO |
| Classification part |
PN.. |
| PUBLICATION YEAR |
2018 |
| LOCATION |
ONLINE |
| REQUESTED BY: |
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NFIC |
| Source of classification or shelving scheme |
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| 994 ## - |
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92 |
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NT |
| 902 ## - LOCAL DATA ELEMENT B, LDB (RLIN) |
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| a |
1 |
| b |
Cynthia Snell |
| c |
1 |
| d |
Cynthia Snell |