MARC details
000 -LEADER |
fixed length control field |
03587nam a2200397Ki 4500 |
001 - CONTROL NUMBER |
control field |
on1044767950 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OCoLC |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20240726105059.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
180719s2018 mdu ob 001 0 eng d |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
NT |
Language of cataloging |
eng |
Description conventions |
rda |
-- |
pn |
Transcribing agency |
NT |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781421425771 |
Qualifying information |
|
043 ## - GEOGRAPHIC AREA CODE |
Geographic area code |
e------ |
050 04 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
Z1003 |
Item number |
.R433 2018 |
049 ## - LOCAL HOLDINGS (OCLC) |
Holding library |
MAIN |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Lupton, Christina, |
Relator term |
Author |
245 10 - TITLE STATEMENT |
Title |
Reading and the making of time in the eighteenth century /Christina Lupton. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
Baltimore : |
Name of publisher, distributor, etc. |
Johns Hopkins University Press, |
Date of publication, distribution, etc. |
(c)2018. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
1 online resource. |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
computer |
Media type code |
c |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
online resource |
Carrier type code |
cr |
Source |
rdacarrier |
347 ## - DIGITAL FILE CHARACTERISTICS |
File type |
data file |
Source |
rda |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographies and index. |
505 00 - FORMATTED CONTENTS NOTE |
Formatted contents note |
Introduction: when do we read? -- |
Title |
The shortness of time; The tense of reading literature as resistance; The difference time makes; Media history as literary method -- |
-- |
Time divided -- |
-- |
No difference -- |
-- |
Talbot's lack of time -- |
-- |
Breaking the weekly round -- |
-- |
Some Sunday readers -- |
-- |
Sir Charles comes and goes -- |
-- |
Joining up time -- |
-- |
Re-reading for happiness -- |
-- |
Slow translation -- |
-- |
Grenville's reading journals -- |
-- |
Lifetimes of reading -- |
-- |
Other times -- |
-- |
Reading in the field -- |
-- |
Linear and random access -- |
-- |
Literature and contingency -- |
-- |
Amelia's beginning with the end -- |
-- |
Sidney Bidulph and the twice told marriage -- |
-- |
The Griffiths' marriage by the book -- |
-- |
Time to come -- |
-- |
Stockpiling -- |
-- |
Romantic media -- |
-- |
A simple story's reading comes later -- |
-- |
Godwin's future is now -- |
-- |
Hard cover truths -- |
-- |
You can't skip pages -- |
-- |
Coda: academic time. |
520 0# - SUMMARY, ETC. |
Summary, etc. |
"The idea that there is a relation between media and time is a familiar one. It is often said that digital technologies have quickened the pace at which we consume information in the modern world. In Christina Lupton's Reading and the Making of Time in the Eighteenth Century, she looks back to the eighteenth century to demonstrate the ways in which the emerging print culture and modes of reading and writing affected the experience and understanding of time. Placing canonical works by Jane Austen, Elizabeth Inchbald, Henry Fielding, and Samuel Johnson alongside those of lesser known authors and readers, Lupton approaches books as objects that are good at attracting particular forms of attention. In contrast to the digital interfaces of our own moment and the newspapers and pamphlets read during the period, books are rarely seen as shaping or keeping modern time. However, Lupton argues that books are often put down and picked up at regular times, they are leafed through as well as read sequentially, and they are handed on as objects designed to bridge distances. In showing how discourse itself engages with these material practices, Lupton makes the case that reading is something to be studied textually as well as historically"-- |
Assigning source |
|
530 ## - COPYRIGHT INFORMATION: |
COPYRIGHT INFORMATION |
COPYRIGHT NOT covered - Click this link to request copyright permission: |
Uniform Resource Identifier |
<a href="b">b</a> |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Books and reading |
General subdivision |
History |
Chronological subdivision |
18th century. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Books and reading |
General subdivision |
Social aspects |
-- |
History. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Book industries and trade |
Geographic subdivision |
Europe |
General subdivision |
History |
Chronological subdivision |
18th century. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Time |
General subdivision |
Psychological aspects |
-- |
History. |
655 #1 - INDEX TERM--GENRE/FORM |
Genre/form data or focus term |
Electronic Books. |
856 40 - ELECTRONIC LOCATION AND ACCESS |
Uniform Resource Identifier |
<a href="https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1779577&site=eds-live&custid=s3260518">https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1779577&site=eds-live&custid=s3260518</a> |
-- |
Click to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Online Book (LOGIN USING YOUR MY CIU LOGIN AND PASSWORD) |
DONATED BY: |
|
VENDOR |
EBSCO |
Classification part |
Z |
PUBLICATION YEAR |
2018 |
LOCATION |
ONLINE |
REQUESTED BY: |
|
-- |
|
-- |
NFIC |
Source of classification or shelving scheme |
|
994 ## - |
-- |
92 |
-- |
NT |
902 ## - LOCAL DATA ELEMENT B, LDB (RLIN) |
a |
1 |
b |
Cynthia Snell |
c |
1 |
d |
Cynthia Snell |